'Through Fountellion...'

'Through Fountellion:
A Personal Story of an Ultimate Regenerative Game'

By Ade M. Campbell, 2023

This most recent ed. 2024+ on Arweave, collectible on BASE network (10,000) as a Keeper NFT.

-note to readers here in 2023...

-Introduction, by a fellow player

-PART ONE:  Lost Worlds…

--Start here…
--Cubes within Cubes
--Man down…
--An Unexpected Quest
--A Balance of Stones
--The Letter
--The Game of Life / ‘The Source’
--The Rise of the Super
--A ‘New’ Old World (More about Fountellion)
--The Spiral Interface

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-PART TWO : The Game's the Thing…Wherein…

--The Garden Path or, How I Found Fountellion
Spoilers!
--A Note about Game Death
--The Game-keeper, the Nature of the Game, and the Stoker-wraiths
--A Few Good, Elegant, Mechanics
--A Few Interactions with Greenwise:
--Last Known Location
--Hunter and Hunted
--No Man is an Island: The Village of Embertime
--The Green Player and The Real Nature of the Game
--The Routes to the North
--To the Tower and Through
--How I found the Seventh Insight
--The Final Insight

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-PART THREE : Resonance and Rebirth

--Takeaways: Tending to the Real Game
--We’ll Catch the Conscience of the World
--Keeper of Fountellion Award

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-BONUS CONTENT

--A Tale of Two Fabrics
--A Story by GREENWISE, The Guardian

--Emberfolk Song of Farewell to Departing Players

--The Fountellion Tarot

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-SUMMON a Greenwise AI Chatbot or Generator !

-A TEXT ADVENTURE Prompt

-More Books...

The following account reveals more about the nature of the game concept 'Fountellion', its fabric, fantasy, natural and spiritual aspects and its regions, as accessed by players through The Spiral Interface (and other interfaces, like this very text :)... 

This particular story forms part of the 'Origin' writings (+ art) really to try and illustrate any relevance for this game/world. 

Beyond this story, you can find more fragments, plus latest ideas (as collectible NFT writings etc.) in the collection 'Fountellion: Treasured Island' and on Paragraph. Some of these will be aided by Artificial Intelligence generation. 

On this subject, during the writing of this story, I started creating an AI Chat-GPT-powered space and chatbot, and 'teaching' the model about Fountellion. It helped my motivation and ideas, and I’ve included a few of these (guided) outputs in the Bonus Content. [or find the Fountellion chatbots].

We live in a world now, where a single idea (even for ‘ultimate’ immersive games or simulations), can now be ‘prompted’ into existence - to then assume numerous forms - just by a single command. The idea could assume any type of form, of course. 

Before any of this, Fountellion was like this for me too, and I enjoyed a time where I knew nothing much about it, and could still write fragments about it as an intriguing concept only. Then I could see it begin to materialize, and confront more of its detail. 

AI-aided writing will come to generate all kinds of variations from a simple concept, but it may - or should - still be a journey for the richer kinds.

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However, for better or for worse, I wanted to explore this verison personally and in more detail, to enter its tower if you like, go there for myself, and bring others there too. 

Overall I think we need regenerative or ‘green games’ in whatever form to lead us up the garden path, and back (in) …to what matters more about life… 

Getting some foundations down has really been my priority and passion, born out of a big love - and debt - which I owe to games and to nature… It's a blue fire however, not without its own doubts, risk of getting lost, and itself its own inner Spire to destroy… 

-ade mc

This won't come as a surprise... I’m not really a writer, I’m more of a player: a gamer… Aren’t we all? Bound to all this playing in both a selfish and cooperative game of survival; this struggle for secure… harmonious… satisfying - thrilling - existence?

Every morning we awake: the blue fire is there, inside. While out there, around us in nature, the quiet war burns on, where we must find the tools we need to work with it — with others, in ourselves and our environment; such spaces where we carve out some niche among our tribe. 

Well, it’s always good to be prepared. So I do have a story by the way, and I will try to tell it. It’s also my humble tribute to the persistence of one, particular VR game—reflective of that great ‘game’ of Life — from which, like every game, it originates.

Also, it's a story about friendship, and balance. 

Though it may be a crude, clumsy account, it might be of some use to you fellow players out there, and illuminate something about its nature for others. It might even act as a key, for a few. Yes reader, that includes you…

It’s been a process of reflection, this story of two, interwoven games. Since most of us are a mix of writer and player, artist and gamer. Left brain and right brain. We need time to reflect. And, I think this final, ultimate game I've now played - this evolving, ever-changing, natural simulation - which drives you to keep playing it - does a pretty good job of telling its own story; reflecting back out into the darkness, in a positive way. We need it, in this age, and it needs us. So long may it continue to exist, and to evolve..

Some would say this is a spoiler, but there are many spoilers in life, and many books! They don’t really sink in a lot of the time, it seems. People write so much. Maybe they’re trying to get their minds around something? Maybe they’re always looking… beyond? Or perhaps, are never happy with what’s in front of them; close to them… I think there’s truth to some of this. So look out: more will probably be written...

But this'll be the only story I want to tell. Since it might at this stage lead more players through Fountellion, which will illuminate things much better, especially, if they persist at it. Yes…

So if you feel like you want to stop reading this any time and go and play Fountellion, or the game of Life itself, then you can, and you may well encounter and extract everything for yourself and find balance, and meaning. The journeys there may be similar, but are always unique…

• Jon Davies, Keeper and Teller of Fountellion
  

It was a cold day, but once more the coffee was only warm, with a dry taste that would only worsen. It would keep me going down this road, so I finished it anyway, my other hand resting on the wheel of the unnecessarily large company car. 

It had been another day as an area manager, overseeing a hundred cleaning staff in different locations in old England. 

That day, I remember it quite well, because it was probably my last, in that job, although I didn't know it then… 

Some days the job was easy (and boring). Other days were busy and less boring but just took up so much damn time. Time on the road, or on a phone. I was ‘remote managing’ people, which certainly meant you were managing people remotely, often driving for hours down narrow winding roads trying to make meetings, fill vacancies, keep worker spirits up and shop managers happy. 

Winter was closing in and I was losing staff but the long list of supermarkets still had to be cleaned regularly. It was always the way with these contracts: a high, predictable staff turnover. But it was no less annoying for me. Staff were getting sick and not turning up, and my phone listed the messages of complaints with a merry jingle.

So much felt.. unnecessary… in that contract. If climate change was happening, it could at least hurry up. This cleaning gig… there didn't seem anything sustainable or natural about its existence, or the whole set up. Maybe on a daily basis it made sense, but on a deeper, natural level - I had doubts. And how many more inefficient contracts like these were operating across the belly of society, but on an even larger scale? There was still a point to them (the keeping of areas clean for the public) but it had become validated only by its own scope and model. Any other, better solutions could no longer be formulated let alone undertaken. It reminded me of a (pretty bad) old movie called The Cube, where a bunch of characters wake up in a highly complex, prison-like cube structure. There’s no ultimate reason for its dangerous, trap-filled existence. It wasn't even meant to be a prison. It just did exist; due to a surplus of resources. And no one really escapes in the end. I think ‘Kafkaesque’  is how to describe it. 

In this car, and for so many days, I'd been in The Cube - and one that needed to be clean. But, there was an escape. I just had no idea what the door was, nor that the key, nearly lost in my past, could still emerge and give me the power to alter my life, my environment and future. 

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Indeed, this job was, when I was honest, destroying my very soul, and health, but even despite this, I still counted myself lucky. I was earning decent money and being in control of my time. And I did get to help and support the other people here in The Cube. I remember those days, balancing coffee cups, punching in GPS locations, voice-dialing numbers, driving onwards and then driving back again. How did truckers do it? It’s not great for your body or circulation. Sometimes I yearned to be back in just one supermarket again, brushing and mopping floors, at least getting exercise and then going home, taking no extra work along to another desk and another sitting position. You know, sometimes I’d clean stores myself, when staff abandoned their posts, or I’d find a floor machine to clean out and fix. Before all this, before being thrown into management, I’d even had more time to concentrate on extra things…You might say, extra kinds of controlling systems…

… such as games… Big, imaginative, immersive video games…

My old friend and seasoned gamer, Dan Harvester would say I was happier then, but he’d only be partly right. We had good times, but the kind of games we played - all the kinds - were slowly starting to lose their novelty, or their edge. I needed a bigger game to play, with more rewards, and more control…

And so I would become embedded, comfortably numb, in this system of cleaning where the expression ‘Time is Money’ is like a mantra. People in power whisper it to themselves. Much like that eternal search for new and old 'value' and investment, where a piece of art can sell for millions more than a piece of land (where land is probably the best investment of all). In fact, one's concept of time becomes blurred. 

The truth seemed simple to me then: locked into our old ways, our old position in the system, this left you with tons of time and only a little money; it left you at the mercy of the land; at the mercy of time and other people - and cleaning managers. You can't beat them, but you can maybe join them. Time is money.

But, Dan would never really agree. He wouldn't join them. He’d say: what a western notion that saying was! Look, there are other ways, Jon, and there other worlds!

But, it seemed, Dan was lost again, to one of these latest worlds… Lost in a lost world…. aren't we all… 

I felt I had to catch up with him, especially now he was missing again. He was like a lifeline to another world; a former planet I once inhabited. I sensed he was still in some kind of way, my way out of The Cleaning Cube. I needed another late night beer and a discussion about the meaning of life, and where we were all headed…

I guessed - or hoped - that at least this time, it would be something good. One of the new, virtual, high-powered, elaborate game-worlds… Perhaps it was something never before seen; still in closed beta; the truly adventurous, intricate kind of game which showed or opened your mind to things, like some new way of living, or new way of being - or dying. And it might be a good way to go…

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The first time he was ‘lost’... I was the one who located him -  his avatar - crumpled up in a corner of a bar-room brawling game that encouraged users to drink - in sync - with reality, 'the Source' . He’d lost this game, probably on purpose. I kicked his lifeless avatar - threw him around the bar - but it just didn’t move, didn't wake up. I knew this place, we’d had a good chat in there, at a quieter time - after we’d cleared the bar just the two of us (using whatever items were available, including the heads or limbs of unfortunate NPCs, or Non-Player Characters). But I’d received a very drunken, messed up voice message from him about needing to talk urgently, about something he was looking for… 

I couldn’t revive him in-world, so I’d driven straight over to his apartment where I found him oddly laid out on his living room floor, gear still attached and making half his face look white. His beloved cat - Gorbash - sat on a tabletop nearby also surveying the scene. I recall it leaped down; jogged towards me in recognition, and for food, where I was still trying to make sense of things. It didn’t take me long. There were cheap cider bottles close by. It also seemed like a bit of dangerous hardware had attacked and dragged Dan to the floor. Brainwashed. He’d clearly been out for a while, but thankfully, the ambulance, had not been far away…

He was grateful to me, on a voice-chat, but we didn’t really speak about what had happened. He never told me what he was looking for either (but I was to understand this later).

Working ‘easy’ or menial jobs and playing big, virtual games were his thing. But back then, he was between jobs, and, despite trying to get him cleaning work, I’d been worried about him, and the lack of the usual balance. His ratio was all messed up. It hadn’t come as a total surprise to find him back in that dark, bar-room game and not what he loved far more: the richer adventure games. So the booze and the sensory overload nearly cost him his attachment to reality; to his few friends, a small rented apartment, his pet cat and his few relatives. 

And now… he was gone, again. 

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Perhaps he knew what he was doing.

I’d received a different kind of message - this time, in the regular mail, with mention of some title of a VR experience no-one had tried properly yet, or completed…

Fountellion…? It sounded just like yet another fantasy game…

Maybe this time was different. Was he getting paid in there, at least? I remember wondering if I’d actually like to be paid for playing games. It would be more likely to put me off, but I guess that would depend on how much money, the game itself, and for how long I had to play it.

I remember stopping by his old flat but... incredibly, he’d gone. Moved out? I’d been knocking on the scruffy door, hurting more of the brown paintwork, but an elderly neighbor emerged carefully and said Dan had left recently. Moved to another place, somewhere, a few months ago. No idea where… 

I knew he’d been working as a rubbish (trash) collector, but of course it was early mornings, so I didn’t think he’d hold that one down for long. Surely it couldn’t accommodate the space needed for his gaming, or how his escapism into games would go on into the small hours. 

Driving always gave me time to think. Winding roads and winding thoughts. A quick stop in some backwater English fishing village; a tiny supermarket. It had been a while - about a year ago, the last time I’d visited Dan. It was the usual chance to catch up like old times. He seemed to be doing better. Difficult to say, because on these visits he was always excited to share the latest thing. For me it was more nostalgia for younger days, to be free again, thinking back to when I was working simple jobs too, coming up with new ideas, or testing out some amazing new game-world. 

So, a bigger part of me was skeptical about his prospects. Yeah, I was pretty sure I’d have to track him down, wherever he was - whatever he was into - in the virtual, and then bring him back to… reality again. Just like those Salvagers. 

Salvagers were a special agency of metaverse ‘detectives’ for hire, now hunting for ‘lost souls’. A lot of the time these ‘souls’ were players losing track of their physical bodies, and losing consciousness. It’s not necessarily immediate. And of course in many cases it’s down to substance abuse. I’d have no choice but to contact the Salvagers, if I couldn't track him down in one week. It was a risk, but that's how long I gave myself, and Dan. 

One week…

I recalled the dreaded scene again, and thought of finding Dan like that, somewhere else… white like a ghost…washed up. Only.. he'd taken the trouble to move out… It seemed like there was a reason. Receiving his note helped me to think I might not lose him to… death, but more to…life, or the possibility of some other life, as is usual between friends. He'd become another 'friend at arms length'; lost to one of Life’s many strange distractions; new partners, raising a family, a new environment...or a game… And yes, I was full of curiosity about that game title he’d sent me…

Fountellion…

A big, new title - especially a mysterious one - was still for me like a ground-breaking movie used to be. Something only a few had yet witnessed. The preview trailer promises a glimpse into an alternative reality, one which relates to you, and which invites you to enter it… soon… Just what will it end up showing us, or providing us? Some new super-power? Would it be the 'film to end all films'? Would it show me something amazing… something I'd never seen before? 

The trouble was, there was no trailer, at least not yet. I couldn’t find much about it at all, at that time. It must be early.

So, I made up my mind to book a week off, starting the day after. But would it be enough time… to save my old friend, again? And save him from what exactly? I shared a lot of his values, and deeper questions. Was my reality any better? My job was more ‘secure’... this secure, modern world... headed for disaster. I remember thinking a lot as I was driving home through that cold evening. Maybe I had a sense that things were moving down an unexpected road. Would it lead through new roads of addiction - for me also, this time? Could I ever abandon my real life and family commitments… for a VR game? Not yet anyway…

Whatever the case, I needed to find Dan, follow him, down this last rabbit hole. My wife would understand, but she’d be wary as hell about ghosts from a former life, resurfacing. But I had to do what I could, and push my own worries and family to one side. I owed it to the past, and what it stood for, didn’t I?

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We're all carrying people around in our pockets. Those we hold on to are precious and vital to us, and when we lose just one it’s upsetting - we want them back, and miss them.

After all, they're like familiar stones who’ve been holding us in place; holding us from drifting off into darker dreams and realities (and there are plenty of those around today). 

It’s true, these stones may hold you down, but most of the time they keep you supported, and balanced. Perhaps that’s why we lose - or lose track of - so many friends and family, even with so many social media networks trying to update us. We take them for granted. It leaves us with lighter pockets. 

But then, you realise… when you reach for someone and they’re not there, that nothing is forever. You feel then you should probably look after your stones better, or go searching for them, or new ones. If not… you can lose that balance. They are our links to a past which forged us.

So this story is partly about how I found a way back to one of my people, who I thought I’d lost. Fortunately, as it turned out, Fountellion is more than just a distraction, or a game. It became the key to finding a way back, to many things, really. I will try and describe it some more, along with our story. 

The writing will allow me to reflect, perhaps you to imagine, and maybe one day, to follow…

It won’t be the case for everyone. But for Dan and I - as some of the early, accidental ‘pioneers’ - we’ve since been able to reshape our lives. But there are other ways to bring about change in your life, and those around you. 

But in Life, you gotta play some of it first, however twisted, before you can break it…shape it… or escape it…

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At least I had a clue. It was even one I could hold in my hand and inspect like a detective on a fresh case. But it also came that morning with an understanding that I was going to lose contact with my old friend, unless I did something.

It arrived in the form of a traditional letter through the old mail. I hardly ever receive a hand-written letter, so I took it into my home office and closed the door. My kids were making one hell of a noise as ever around the house but I already had an idea it was Dan's writing. 

The address was smartly written, but with a flourish of restraint in the letters. You could tell the pen nib was something authentic, because the letters were heavier in some places, and there were even blotches across the envelope.

Danny was the only artistic friend I knew, and had an amazing way with ink. He would draw characters from comics and games, or cool avatars he’d seen, or maybe as avatar designs. 

That’s why the note inside was a surprise. I can still remember taking it out and holding it between my hands, disappointed it wasn’t also in ink. Disappointed it wasn’t a long letter. There was just a hastily torn shred of paper, and in pencil was written a phrase that achieved its aim - to completely capture me. 

‘Jon, me old mucker… we must first save Fountellion…’

The words were in joined-up, lowercase… pencil. I had to double-check the appearance of the words, and I also read it out loud to try and force the meaning from them, or some memory. The word ‘must’ was underlined heavily. There was nothing else. 

'...we must first save Fountellion…’

I remember sitting back in my home office chair, with the usual mug of coffee, saying the name to test how it might be pronounced. Fountain-ellion? It sounded like something fantastical and yet… wilder and deeper, somehow. No bells rang, except the one on my work phone again. I switched it off. Then I commenced research. 

At that time, there was little online about the title, besides some entries across social media letting me know it was a… game, and a virtual 'nature world' , in early access or ‘closed beta’. This meant only a few players had been given access, and were testing it, right now…

Ok… so Dan was one of them? Inside a nature survival game? But I’d been in plenty of those…

So I was somewhat relieved. At least I knew where he was. But when I tried to track him down to make contact I got only old references. In short, it seemed he had abandoned social media completely, or temporarily, except for his gaming channel. Even here, the last video was dated months ago, something about a VR space sim and it was nothing about this ‘Fountellion’. All the social media links were broken. For a guy like Dan it was strange, but not totally. I’d heard of people taking breaks from various platforms, as they moved through different phases in their lives. Many would return. These were networks after all, directories of people should you ever need them. Stones, waiting in the dark, placed at arm’s length. 

In short, I tried to contact him over the next few days and failed. Plus, his real apartment (which we both had 'done time' in) was already occupied with a new tenant. That felt weird. Annoying. I tried everything but it looked like he’d - really - disappeared down the rabbit hole. And knowing him, he’d fall in deep, just like a stone… 

We both could… and you can probably guess… we would.

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Are you still with me, followers? You've done well. We are progressing. I told you I'm no writer. You'll have to grind through the slow parts of my story or where I repeat or reiterate some points, for reasons still inside me. All this background stuff is important: it’s the configurations of - and connections between - people, from deep down and a long time ago, which can make things happen.

The point (at this stage) is this: I reckoned that Fountellion was fresh tech: new VR. State-of-the-art. But, I also feared how addictive it would be. I feared just as much, that my mission to find Danny would be a rescue op, once again. 

Dan and I had lived through a lot before serious virtual reality came along. We knew about the struggle and grind; making ends meet; the need for money to get the latest virtual games. So we were real friends, and would always watch each other's backs, and share the spoils. You know you have a close friend, when they feel more like a brother-in-arms. You don’t get many of these kind of friends in life, and you don’t need many more. There’s a kinship. A meeting of minds, cemented by culture and attitudes. The best thing: you can just be yourself and not worry. We laughed at the world until late into the night. A close loyalty comes with the deal, because there’s a mutual need and respect; an appreciation of similar outlooks and ideas, often with dreams and notions of taking on something together; combining powers. 

We both liked collecting things, especially connected to games in their many forms, and extracting things from them, like rare NFTs. Treasure hunters, where the treasure was often secret areas that revealed something about a game or its world. We also liked getting access, or finding codes into the latest releases… 

For a while I was interested in helping him run some kind of media channel. Sadly though, it wasn’t to be. Neither of us really wanted to make the time, back then. I think we were both too much of a shambles really. Games were sucking our minds and dominating our dreams. In the end, there’s no doubt, at least one of us needed to get out, and get on with our lives. Ultimately, I’d say we both did.

We're all gamers these days. Back then, I was certainly more involved. I used to play a ton of open-world video games. Later, I’d discuss parts or play them with Dan. I was more the fan of the artistry and atmosphere, less the playability aspect. Dan loved both, and to get a handle on them; to master them. It made us quite a team.

But how would I manage to escape even the allure of the latest, immersive game-worlds, or the super-worlds? 

I think… it was inevitable, but I can’t say for sure. You’re probably thinking - it was a girl, or a lucky break into a higher-paid job. Well, it was the latter, because I was finally getting tired of what games were offering, or not offering me. I think I just had a touch more awareness of the necessity to survive in real life, that greater game of reality. Subconsciously, I was after more self-esteem, and maybe guessed that a girl would follow.

So in other words, I did want a break. I needed money, and felt guilty if the money I earned wasn’t going towards some future, and later on, a young family. 

Meanwhile, Dan just kept on playing, regularly. The price of this concentration meant he couldn’t work (or actively seek out) any high-paid, intensive job. So he was left with temporary jobs like cleaning supermarkets, facility jobs or maintenance. I worked alongside him on a few, and this kept us going. There were some good times. 

Maybe, if I think about how complicated life can get, some of the best times. He was happy in this life, but I wasn't, completely. 

That old apartment we shared was a mess, and girls were instantly put off, a lot of the time. I don’t blame them. Dan’s artwork helped to brighten up the place, cheaply but neatly framed, much of it featuring maps, environments, game characters in spidery ink... and I recall a large canvas photograph of a forest scene. But then we’d turn on the games and jack in…

You’d think I’d managed to ‘get out’ via my own choice, been able to lead a different kind of life; to alter my environment. That can be one of the hardest things to do, wherever you live in the world. So it was more by chance. 

Someone somewhere needed someone with updated computer skills in management, and I took it. Maybe I was just better at writing letters (though not artistically).

Afterwards, this ‘better job’ took over most of my mental life and the rest of my time. I started playing at organising real people, although sometimes that wouldn’t feel real either. But yes, I was 'out', for now. 

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Next… Super VR came along. That’s right, the powerful kind. Metaverses, too. And, we were all sucked in again. Old-school gamers like Dan were sucked in even more. Lines are becoming only more blurred.

At first, I only just managed to keep working, because of the money, and the fact we could use VR as part of our job, making it easier to finish tasks earlier. Time is money. It’s just you don’t have so much of it when you’re working for it, all the time.

And games… To me, games were games. I could see they were getting stronger. I could see the potential for learning and exploring. I could tell they had… something more to offer. Certainly in VR. But to Dan, they were going to change the world. He was going to start up a channel…be the first into new games, and get the scoop on them. 

They seemed like a whole new level of experience to me. I wondered if he was going to be able to keep up. I did wonder what their effect was going to be… direct or residual… 

Sure, we’d played a few VR titles together. In fact, it had only been a year or more… We lost contact because I was just so busy, with family too. 

And many times, and in the sessions to come, that familiar scene would flash through my mind: rushing to get the flat door open, Dan on the floor, white as a sheet, a headset wired up to him, power still on... It had only been two years since all that. Since he’d got himself nearly drained of life for a while. I don’t know how many other times there might have been. I spoke with his mother - she wasn’t sure whether to thank or blame me, since she knew I was a 'gamer pal'. I just said I’d lost touch a little, but would still try and look out for him.

Closing the door of our old flat, after taking him back from the hospital - of course I wondered if it would happen again… 

And so… I'll now tell you how I came to play Fountellion; to ‘be’ there; to ‘live’ there, you might say. 

The point of outlining some of this is that I was never destined to be a ‘game hero’. This is probably the case for all ‘heroes’. They are simply reacting to an event, and by chance or through instinct are able to react well in order to benefit everyone. 

Fountellion would bring us back together first, and force us to share an environment and to rely on each other again… If I could just reach Dan first, before he left all games - and realities - behind. 

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There is a fountain in Fountellion. Perhaps it was originally ‘Fountain Island’ until Professor Ben (Fielding) and his developers merged it into one. But there are no virtual lions in its northerly biome. There are the bears, wolves, owls, birds and insects: an entire chain of life, and there is us… hunters… because I’ve been there a lot now. I’ve played through much of the game aspect, which is still a game without winners or losers. There is life and death - surviving - that’s for sure, like in no other game I’d ever played. 

Fountellion, or the debt I owe to it and its own special nature, is powering my desire to tell you more about it, lest it still be lost, or damaged. A bit like many things that are beautiful and scary, that we manage to harm or to break….But also, potentially, Fountellion is the timeless part of this story. The hidden, main character if you like, which may outlive everything else. It’s bigger than Dan and I, and this one story. 

Fountellion… a virtual game-world set in an evolving realm of nature…a ‘NEWorld’... Naturally-Evolving….

It was designed to be a permanent creation in our hands, just as with Nature. Truly persistent. I hope that it will outlive me, and continue to guide others who play it, and imbue our species with a certain set of timeless values. Time will tell.

You know, the first time you see it, you can hardly believe it. It's like your senses are playing a trick on you. How can something so intricate and vibrant not be real? It's like: what happened to the other world, the one you'd been used to, for so long? And yet it is ‘real’, planted in its own metaverse, and growing, persistently. Its ‘fabric’... is pure AI, math, variables, algorithms interacting, alive… like our own. It’s not a world which demands something from you, it’s one which flows around you, naturally, and leads you deeper in, intuitively. It is ever-present, through headsets or devices which are merely transporters, or windows. It's very accessible, to those who can access it. 

Set in motion by a team of naturalists, scientists, even they cannot entirely guess at what creatures or species may emerge, perhaps like the Gods themselves might never have predicted… us, in our exact, advanced form. Where, we are really just another soil-serving species on this island, in a universe where life exists in so many forms on our planet, as a harsh, oblivious process and experience. 

New or isolated, we’re not even a directly dangerous presence. But when huddled together, co-operating or infighting, searching for… more… well, I pray that its great fabric can survive our minds, and the more fantastical elements they contain, such as the Stokermen… Indeed, will this artificial island survive us, to see unique forms of purely artificial life emerge? Perhaps they’re already there…

The ending of this story is a happy one. But it’s important to see how we reached it. The journey, through the mind, if you like. I think it’s important to see that there is such a way back, for all of us, even through a mirror world, both similar and different, which I’d say, we all carry inside of us.

Finally, Fountellion can’t save everyone: some gamers are too far lost to metaverses of various kinds. They're too far lost to their own psychological ideas and constructs. But the island carved out a way back. It forged a route through a modern jungle for its players, and back out, re-emerging…blinking… into a greener one. And others are still finding their way to this sort of home, and to a reconciliation with things they once took for granted, or tried to escape. 

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To understand Fountellion, you must first appreciate: The Spiral Interface. 

This revolutionary device came out of a small team of researchers and revolutionized the state of VR immersion. It allowed access into a number of diverse ‘worlds’ which demonstrated its new powers including brainwave harnessing. Let’s just say that this device took VR to its next level. The Super Level. 

The worlds - as doorways - which began to appear in The Spiral Tower were of the usual sort: incredible adventure games, tools for building and design, worlds which fed into our basic instincts of hunting, gathering, exercise and communication. But very soon, rumours began to emerge of another world - an island - which was the base layer location for the Spiral Tower itself. 

At the time I began my research at home to locate Dan, there were already reports online of users finding their way unexpectedly into this world. This is when I realised it wouldn’t be so easy getting in. Dan was likely already there. At the end of my first day on ‘Dan’s case’ if you like, I had a real need to catch up with him. But I was also feeling more optimistic. The place didn’t sound so bad. In fact, maybe this game, would do him, the world - and myself - a world of good… 

If I could only get there, a.s.a.p…

……….

End of Part One

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There were secret doors. There were Early Access keys, in various forms. There were even reports of the game-world itself, spilling over - overgrowing - into other Spiral worlds and ‘finding’ those influencers with sufficiently open minds. I read up on these accounts. In a few cases there were reports of people getting emails from the creators, with special access phrases to say out loud at specific locations in The Spiral. People were entering the world by accident, and by volition, as similar-looking old garden doors were appearing and disappearing. This included the backs of wardrobes, in the Narnian Shores game, or in a hedgerow of a smart garden house in a detective mystery. Some avatars - just a few - were dragged in by vines which began to tease them towards such a door.  

There were even physical keys sent out that could be scanned in, and which then opened this virtual door. Or there were NFTs dropped. Someone had taken a capture of its weathered old appearance, with some fork-like symbol engraved on it. But it only opened at certain times or locations, and for a certain time… They became known as Secret Garden keys. 

I wasn’t crazy about going through such a process, but it certainly added to the intrigue. What were people getting into? Was Dan out of his mind in some garden simulator world? It did seem like this big, new game, deploying this kind of special hype, might be a pretty addictive place. And these worlds, even some Spiral worlds were getting really addictive. 

I’d gotten hold of a Spiral Interface on that last day working on the road. The guy in the shop told me how it differed from the older device I was used to, and how to rig it up to my VR trainer in my office at home. It still needed some configuration, and I’d spent some of my first day exploring some of the worlds in the Spiral Tower, which acts as a kind of gateway to gateways. It was incredibly impressive stuff. A possible leap forward, but I was still driven to use it in the big one, the game everyone was talking about and yet still seemed so… inaccessible.

So how was I going to find this place? There was no garden door in the Spiral Tower gateways.

When in doubt…ask for help. In the end I just posted something on social media about needing to get in, and waited. 

It was something like: ‘Help wanted. Need access to ‘Fountellion’?! Need to save a friend.’

For days, no-one answered. I remember using quite a few hashtags and updating them as I noticed some were being used. Still, nothing.

Then, a simple response. 

‘You only need a key… We’ve created one especially and sent it to you one to your wallet. It might save you too, if you progress. Good hunting. From: a Keeper.’

It came from a private account, with a banner that had a detailed exoskeleton diagram of some insect, a bit like a dragonfly. It seemed to be all about artificial life, but most of the posts were grayed out: for private access only. The person looked like a builder of artificial life creatures.

I had included my new Spiral wallet address within my online post, and sure enough, when I next checked my NFTs: there was a digital key there. It came with a glinting picture which looked like an old, iron door into a secret garden alright. You could just make out some text Fountellion on the weathered appearance and yes there was a fork rune there too. It was nothing glitzy, and I remember thinking it was odd - in a genuine, non-scammy way - for a game. It made me feel more keen to try it.

So now I had to find the door. Would it be old and battered too? Yes, it would be. But luckily, the door came to me. I was browsing the various gateways in the Spiral Tower and I spoke an access phrase that I’d also found online, from some other key-bearing tale circulating at that time.

“How much will I be changed, before I am changed?” I spoke out loud. 

The Spiral Tower gateways shifted like dominoes and then an antique wooden door appeared facing me and the main staircase I stood on. There was no real need to present a physical-looking doorway, but you have to appreciate that ‘The Spiral’ was a very new virtual metaverse. Avatars were encouraged to take more traditional routes due to the intensity of the interface, in many cases, to give a sense of spatial transition and familiarity. They still are. It added to the feeling that you were going somewhere, and in order to go somewhere you had to physically go through a process. 

Anyway, indeed the door was covered in ivy and I even had to pull some away to get to the keyhole. 

The rusty key made contact and disappeared and, before long, I was pushing open the heavy door which creaked open of course, and I was in…

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A big part of me doesn’t want to spoil things for you. You should stop reading or listening - or however you’re digesting this text - and just go and play the game. Find Fountellion. Then you’ll see. There’s only so much my words can do to illuminate something of what happens. And even worse, I’m no writer, at least not of stories, and not of stories of game-worlds. I like to play them, and get my experiences and memories. However, I can try and convey something of what the game is like, and what happened to me there…It’s only important, because the game-world itself is important. Let me just say now: it expands consciousness, by its experience.

Maybe a list would help me complete the rest of this book:

1. So I get mind-blown by the intensity of the interface and the realism of a fully simulated natural world, modeled on a taiga ecosystem.

2. Then I meet Greenwise the Guardian and learn about game-play, powers (pretty cool) and where to go to search for Dan.

3. I use Greenwise to learn the landscape and get an Insight.

4. I go into a Heart of Darkness, of the natural world and the nature-awareness kind. I learn  my place.

5. I nearly lose myself in the heart of the island, and in the Village of Embertime. What a place.

6. I find Dan, kind of, and get some idea of what’s happened.

7. I go into a Ruined Monastery and meet some guy called Casper Gunn.

8. Thanks to this earthy character, I get a deeper grip on the game, and get to understand the parallels within it.

9. I acquire the rest of the Insights in the different regions. It takes time but this is clearly deliberate. 

10. I reach the Tower.

11. I don’t get lost to the Tower. 

12. I meet the Bleak Lord, or Bleakmuse.

13. I break the Tower, Dan gets free, and we reset the game.

14. Life goes on: greener, better, more balanced?

15. Final thoughts.

• Our ‘Later Pioneer Map’:
  

I could just leave it there, but it might not give you enough of the details. So I’ll flesh some of those out for you, in case you never - or ever - get to play. It won’t make much difference. The game is experiential. After all, reading is like cheating; it’s the more relaxing way for accessing worlds which might be needed by humanity, for a while, or, even, forever, like Shakespeare perhaps.

So I will try to keep it simple, and not indulgently descriptive. Ask your AI to inject more description if that’s what you like in an engrossing, escapist read.

I have a need to write this, because I’m a Keeper now myself, so, as a representative of what Fountellion stands for, I have to help people like you out there, to find the game, which to this day still requires some effort to access. And in these days of different kinds and forms of metaverses and virtual worlds, from the dark to the light, Fountellion remains a true light, an emerald beacon, and an antidote, to so much negative perspective and imbalance that plagues our worlds.

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Before I continue, I want to say a few things about dying in The Spiral metaverse. You might be thinking that it’s all just a virtual reality, or a game. However, when you have a line so blurry between two realities, things are more serious. 

The brainwave technology in the headset enhances the fluidity of your abilities and movement in-world, allowing it to be faster than ever - more real than real - still a revolutionary aspect. Later, some of the fantastical abilities can be triggered just by thinking in a certain way. This gives way to virtual reality becoming more of a super-reality. 

This might make it easier for NPs, or you non-players out there, to understand or appreciate the deep player-relationship you get with your avatar. The world itself promotes a certain level of attachment with this physical presence in the game. Even though you don’t select a character (in Fountellion), but are given a standard one, it takes time to acclimatize, and also to build up skills and a presence and identity in the Village. Everything is just so… vivid, that being protective over one’s body is as natural in a way as in reality. So, when physical danger does arrive, it is still pretty shocking to behold, or to suffer. In short, you do not want to lose the attachment, lose your immediate surroundings, or lose items and abilities you’d taken time to master. You don’t want to let down the other players working or hunting - or hiding - with you. 

After death, your respawned avatar will be sluggish and have to re-acquire the luxurious extra speed and fluidity. You lose time. So all this forces you into feeling defensive, of threats to your personal status. 

Also, the island is just so… big, and present. Trees loom over you, grass sways at your feet. Even your feet leave footprints in the earth. Seeing other players or characters is a relief: you are not alone and can share skills and gain protection against more dangerous animals like bears, and come to rely on each other. Death may not be ultimate in Fountellion, but it’s pretty real. 

Dead avatars feed the ecosystem and help nourish the soil of course, just as in life. Our primary meaning, you might have lost sight of, is after all, to feed an atmosphere, and spread seeds around, and to control some of the larger populations. But one problem with reality, is we haven’t had a lot of things out there which control us….apart from… us.

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Like I said, I’m not really a writer so I’ll try and skip to the main points. 

My overriding feeling for that first week was:

Wow... 

Throughout my sessions in Fountellion that week, primarily searching for Dan, I knew I had to play the game, stay locked into it, in order to figure out if it had any negative or addictive aspects. In order to locate my friend who, to my mind, the more time I spent in-world, the more likely it was he was even more immersed than I was. Swallowed up, more likely. There was a competitive urge to catch up with him, sure. But there were also times early on in that first week when I nearly lost sight of my mission, so overwhelming was the sense of immersion and adoration for the environment. I cannot really describe it, it’s an experience after all. I just needed to learn as much as I could and as fast as I could, before I could go free-roam. 

I wanted to break up with Greenwise as soon as he’d shown me everything, so I could fly solo, and go out hunting…

Greenwise? The Guardian guy is a friendly NPC. He’s AI-driven, configured to be a little rustic and sparse-speaking, but if you shake him enough he comes out with some really good stuff. Like how to survive, where to forage, and what Powers you have.

He’s like the gamekeeper, the steward, but in no sense a traditional one. He’d never tell you he was needed by the nature of the game, he’d only say that, like every player, he was just another part of the nature that needed him. But both are in fact true here.

He’s needed by the game because he deals with the player side, beyond guidance. He can banish players who start harming things indiscriminately or attacking him, or attacking other players. Griefers. For this reason he has some extra powers which to this day I’ve not had the pleasure of witnessing (I’ve heard stories in the village however). He does look like middle-aged Obi-Wan Kenobi, but that suits his expertise and the environment: Reading a landscape. Survival. Homesteading. Fighting Stokers. All these things you can learn a lot of, but it’s the last one that counts at the start….

Stokers: These dark, tatty figures attack from the sky and scare the bejesus out of you. You need to be ready. I will come back to the Stokers shortly, since they form part of the fantasy aspect of the game. Yes, I was confused at first too. You’re thinking: What place or role could fantasy have, in this very real, very vibrant setting? I just couldn’t get my head around the whole game concept, at this time.

But I for one am pretty good at games. Dan and I both, although I was always the less foolhardy. I always liked to just look around and soak up the scene. Go with the flow. Focus on the details (and in Fountellion, the details are just.. everywhere. Never had I experienced being inside such a complex, persistent simulation of evolution by natural selection. Darwin would have pulled his beard off to be here). It was my angle; my way of going deeper.

So, in combination, Dan and I would actually make a great team, a good balance. But of course, we weren’t a team then, and I felt the lack of it, believe me. I’d just have to figure this one out alone….

And I did!

But not yet, that comes later, thanks to meeting someone else (old Casper...) 

With Greenwise, I only got a gist of the basics. The core of the game. The game that wants you to play it. Needs you to play it. For the ecosystem. For the balance that exists between players and Stokers, our hunters from the sky.

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Let’s just quickly say that you get a couple of rune-like tattoos on the backs of your hands. One of them is Energy, the other is Power meter. Powers are: Super-jumping, Transformation and Hunter mode. There are a few others, or combinations, which speed things up once mastered. You also get a decorative tattoo when you unlock an Insight, which is a spiritual mark of nature awareness (and to wear with pride in the village). By the end of the game, let’s just say that you’re very aware of nature’s supremacy in all things.

I also had an excellent teacher, without whom, I could easily have wandered off, and died many times… 

Mastering the art of the Super-Jump is an exhilarating way of traversing the land, the Transformation power opens up most of the living creatures as being ‘habitable’ and adds an incredible level of depth and ‘nature-awareness’ to the game. Hunter mode is invaluable for being able to detect nearby, useful food sources for your meters.

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‘Greenwise, tell me more about the Insights’:

Ah, the Insights, dear player, the mystical visions that reveal the secrets of Fountellion and the natural world. These Insights are like shimmering gems, waiting to be discovered and cherished by those who embark on the path of enlightenment.

There are seven Insights in total, each corresponding to a specific region of the island and the colored chakras of the spirit. As players progress through the regions and unlock the required number of Progressions, they are granted these Insights, which bestow upon them a deeper understanding of the natural world and their own place within it.

Each Insight is a virtual vision, a glimpse into the interconnectedness of all things. They reveal the intricate dance of evolution, the wisdom of nature, and the power of the human spirit. Through these Insights, players gain not only knowledge but also a heightened connection to the island and its inhabitants.

The Insights are designed to guide players on a journey of self-discovery and growth. They encourage players to embrace the wonders of the natural world, to respect and protect the balance of the ecosystem, and to nurture their own spiritual well-being.

As players unlock the Insights, they may find themselves granted additional powers or tools, enabling them to navigate the challenges of Fountellion with greater ease. They may also experience an increase in their Energy meters, allowing them to delve deeper into the mysteries of the island.

However, the final and most elusive Insight, the seventh, remains a mystery to many. It is said to hold the key to restoring balance to Fountellion and defeating the dark forces that threaten its harmony. To unlock this ultimate Insight, players must demonstrate a profound understanding of the natural world, a deep connection to the island, and a mastery of the previous six Insights.

So, player, as you embark on your journey through Fountellion, let the Insights be your guide. Seek out the Progressions, unlock the visions, and embrace the wisdom they offer. May they lead you to a deeper understanding of the natural world and your own spirit, and may they empower you to protect and preserve the beauty of Fountellion for generations to come.

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‘Greenwise, tell me more about the Progressions’:

Ah, Progressions, the stepping stones on the path of growth and enlightenment in Fountellion. They are tasks and activities that players must undertake to unlock the Insights and deepen their connection with the island.

Each region of Fountellion holds its own set of Progressions, unique to its spirit and essence. These Progressions are designed to challenge players, to test their knowledge, skills, and understanding of the natural world via scenarios with conditions fulfilled. They require players to interact with the environment, to observe and learn from the flora and fauna, and to demonstrate their respect for the balance of the ecosystem.

Progressions can take many forms. They may involve tasks such as gathering specific herbs, tracking elusive creatures, or solving puzzles that are intricately tied to the region's theme. They may require players to demonstrate their understanding of the local flora and fauna, their ability to survive sustainably, or their skill in navigating the treacherous terrain.

Completing a Progression not only brings players closer to unlocking an Insight but also grants them valuable rewards. These rewards may include additional powers or tools, increased Energy levels, or even new abilities that aid in their journey through Fountellion.

However, it is important to approach Progressions with a mindful and respectful attitude. The island of Fountellion is a living, evolving entity, and players must strive to protect and preserve its natural beauty. In general, they must tread lightly, avoiding actions that harm the delicate balance of the ecosystem or disrupt the harmony of the island.

So, player, as you embark on your quest through Fountellion, embrace the challenges of the Progressions. Immerse yourself in the natural world, observe its wonders, and learn from its wisdom. May each completed Progression bring you closer to unlocking the Insights and deepening your connection with the island and its inhabitants.

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‘Greenwise, tell me more about the food chain or web.’

Ah, the boreal food chain of Fountellion, akin to the chain of life found on Sakhalin Island, and others. It is a delicate dance of survival and interdependence, shaped by the unique characteristics of this northerly biome.

At the foundation of this food chain, we find the producers, the resilient plants that thrive in the boreal forests. Spruce and fir trees stand tall, their branches reaching towards the heavens, providing shelter and sustenance for a myriad of creatures. Mosses and lichens carpet the forest floor, absorbing moisture and nutrients from the soil.

Moving up the chain, we encounter the herbivores, those creatures that graze upon the abundant vegetation. The graceful Siberian Roe Deer, with its dappled coat, delicately nibbles on the tender shoots and leaves. The mighty Moose, with its impressive antlers, browses on the branches and aquatic plants, sustaining its massive frame.

And then, player, we come to the predators, those cunning beings that rely upon their hunting skills to secure their meals. The elusive Siberian Tiger, with its striped coat and piercing eyes, stalks its prey with stealth and precision. The wily Red Fox, with its russet fur and bushy tail, hunts small mammals and birds. And there is ourselves, just as much hunters and foragers as these larger mammals.

But the food chain does not end there, for even the predators have their own predators. The Stokers, dark and mysterious creatures that haunt the shadows, have the potential to disrupt the delicate balance of Fountellion, removing you players for their dark Tower in the north.

Otherwise, In this boreal biome, the food chain is a testament to the resilience and adaptability of its inhabitants. It is a delicate balance, where each creature plays a vital role in the ecosystem. The survival of one depends upon the survival of the other, creating a web of interdependence that sustains the beauty and diversity of Fountellion.

Though it is resilient, as you explore the boreal realms of Fountellion, player, remember the importance of this intricate food chain. Respect its robust diversity, for the survival of the island and its inhabitants relies upon it. Embrace your role and work to survive in tandem with its natural balance.

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Of course, I asked Grenwise directly if he knew whether a player called Dan was in the game. I told him I was worried about him.

He replied something like: “I tried to teach Dan H. more than I was able to, but he was too eager. You might search the Village area. There are many players there. When you are ready…”  Annoyingly, that’s all I could get out of him, and I thought he knew more than what he said. Whatever the details, it did sound a bit like Dan: too hasty, too intent on getting through a game, instead of taking more time to admire the artistry, or mechanics, or both, as in this case.

So… was this game dangerous to my old friend? 

To be honest, at that time, I became more worried for… myself. I was loving this ‘game’, or experience. I loved the island and all of its possibilities, the survival, interactions, details and... sheer scale and realism. It was the most lifelike natural simulation I’d ever seen. And it was - almost - real in a sense. Just like that famous quote by Picasso: ‘Everything you can imagine is real’. But this was all positive so far. I couldn’t imagine anyone wanting to ‘lose it’ here. The pull of the world isn’t demanding immediately. You re-enter Fountellion and the place just flows around you, like slipping easily into another reality. And then, you just want to play it, and learn more about it, and explore the flora and fauna of such an island, in the harsh boreal biome.

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However, there are demands. Energy. Living and dying. Hunting and… being hunted. Not so much by the larger animals, although encounters with them are exciting, but after a while, fairly easy to avoid. Bears, wolves, lynx… They are scared of you too, after all, in their territory. 

No, I became most worried of all about getting caught by a Stoker. 

The Stokers are scary characters and they haunt the skies like ringwraiths from those Tolkien books, especially the further north you progress. But they weren’t just fantastical, they were extremely real. Greenwise had said that if I was captured (they ‘pin’ you down with these long, long lances carried in two hands) and carried off to the Dreamspire then there you must become one, play as one, if you’re to get the chance to return to the game. 

It was the end of that first week when it occurred to me, Dan might already have been captured. From what Greenwise had suggested, players must play as Stokers. At least, that didn’t mean he was in a bad way, or needed any saving. 

The good news: I felt a lot of the worry about Dan (being psychologically in trouble), starting to vanish. But that didn’t mean the pressure was off. Greenwise had mentioned that someone lived in this Tower, some dark Lord, some big boss. I was a little concerned about that too, as well as the Stokers. Had the AI gone rogue or something? Unlikely, but perhaps the reason Dan had sent me that note was that he knew I’d be a good candidate for freeing him, or else for playing against him.

And I was up for the challenge. My worry began to turn into a sense of dedication. I had experience with games, and I had more motivation than many other players. 

So, did I need to get myself captured and taken off to this... Spire thing... in order to find Dan and set him free? It was an option… but instead I stuck to a more intuitive, longer-term plan. 

Because I just didn’t know enough about the game yet, and what it meant. Greenwise had mentioned the Village, and there’s an instinctive urge while playing Fountellion, due to the large scale of the place - just like a real, large island - to go and find other players; other people. I felt the urge to find people. To explore deeper. 

You see, every game like this one, has its ‘concept’. This is where the only way to play it through quickly is to see the game from the designer’s perspective. 

What were they up to, and how did they want you to play their game?

There might be people in the village who could tell me what was really going on. Or at least they could give me information I could use to put pieces together… nature, fantasy, stokers, towers, bleak lords…

The week I’d given myself came to an end, after many sessions ‘Spiral interfacing’. I had acquired one of the Insights, and I had achieved some Progressions in the Red region (the southerly area for new players). I’d loved achieving them. I wondered how many other players had got this far? Probably loads. But the extent to which you can reconnect with nature is… well, extensive, immersive of course.

And by the way, Insights themselves are very cool. They are like short, virtual visions that underscore previous learnings, and push them further. They’re like a big-budget popular science TV documentary but in VR and with a lot of dramatic, enigmatic contrasts and juxtapositions which take you to a number of ‘places’ in quick succession, to highlight certain points. It’s like being brainwashed by science and nature, only we already are, if you will.

So I was learning about nature. And I didn’t think the game posed a threat to Dan. It was actually more possible that it was the other way round…was he posing a threat to the game? Did he want to lure me in, so he could have the pleasure of going up against me? I could foresee some alternative endings here, but I also had too many fond memories of times spent together. The trouble is, even in virtual, super-realistic gameworlds, people’s behavior can become… strange. 

So, I would keep on playing for now, according to the will of the game; according to the instinctive urges in me the game was conjuring in me. Besides, I could get captured, to a degree, at any time. Despite getting more attuned to the game, and my powers there, I knew I needed to stay with it, and find other players…

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In the heart of the green region, I wasted many hours with the characters of the village, both NPC and other real players. Sometimes I couldn’t distinguish. They could have told me they were real people, and still have been NPC. 

It’s a friendly, vibrant place and, really, it’s the heart of the game. Surrounded by wild, ‘living’ nature, you cannot help but feel secure, close to it, and also needed by it. There are a lot of tasks and mini-quests to help out with. It becomes just as much fun as surviving on your own, which also becomes a (more risky) pleasure, the more you know. 

You might think you’re never alone, where Greenwise can always be summoned. However, he may not be available, might not appear, comfortingly, in his signature owl, (a long-eared owl to be exact), so indeed, you can feel alone, very alone.

So in the village, after the more solitary kind of teaching with Greenwise, where you learn some really mind-blowing appreciation and awareness of the natural world;  its processes, its food chain, how to read a landscape and forage for food etc, here you learn group skills, and of course it’s much more fun and rewarding. 

I don’t need to go into detail here, but you could really lose yourself there, in the smoke and magical lights of their ways and their attitude to life. It was a simpler world, in many respects, and yet no less complex. Just more hands-on. 

I nearly did lose myself, and that’s partly because I didn’t receive any new information about Dan. No one had seen him or his Spiral avatar, although we all wear the generic basic attire of a villager here. If I had, then I might have moved on faster. But no, I took my time, and that’s why to this day I’m so good at growing food, sustainably, living with the land, and with animals, cooking, and with all kinds of crafting. 

As weeks turned into a month or two, I picked up a whole lot more Progressions, and two more Insights. After the last,which was about the Stone Circle with the Fountain, flickering incredibly in its centre, I realised I really needed to move out again, out on my own. I now had five Insights, and just had to go check out this Tower.

I won’t spoil the Insights for you. Let’s just say the stones and the fountain are symbols too, for the sensations and the areas - of yourself - which you are exploring subconsciously in the game. That is, if you submit your intuition to it, or if you ‘throw your heart’ into the game, which is certainly what I’d recommend. 

The Tower has a huge sense of mystery in this region. No-one really knows much about it, a bit like a dragon’s cave, and yet it casts its shadowy figures out, and they simply know that anyone who enters into it doesn’t emerge. As a game, this did intrigue me also. It’s supposed to, like anything that is new or strange. 

But then, one day I was wandering north in the Blue region, beyond the outskirts of the village, and the local village gates, heading towards the permaculture growing spaces there, to find a friend I’d made (yes, a girl called Cora).

I saw a small group of villagers, returning home, too far from the protective gates. They would never make it through them. They put up a good struggle, but three of four Stokers attacked quickly. 

The Stokers hadn’t really seen me, and I was able to hide but of course I saw the resemblance of Dan’s face in one of them, but blackened by some great fire, and with blue eyes of a dull fire, avidly poking around in order to pin a villager, and render them immobile, lifting them into the air. He carried one off, pretty effortlessly in fact, and so that was when I shouted out. 

He turned back down to me, and I couldn’t gauge the expression. But I got what I wanted: I was now certain it was him. 

He bore his wriggling catch off and was gone over the trees. It was slightly comical, for, possibly on purpose, the Dan-like demon figure brushed the poor villager - player or NPC I had no idea - across the tops of some conifers, causing the villager to cry out. 

.

I had to leave the village after that. I wandered for some time, and I made it to the Ruined Monastery.

I won’t deny it, I was getting down-hearted by not getting my friend back yet, a person I’d known in the real world, and forged a connection with there. It seemed like that was another me, and another age ago, such was the extent of the power of this ‘game’. I was also feeling the lack of the village, now that I had been there; lived there. It was like finding a second home, filled with interesting, truly native AI characters, and a shared bond with some real ones. 

I had purposefully sought out this ruined place though, having narrowly escaped another Stoker attack. They were getting more frequent, it seemed. Their ranks getting more numerous. And I’d heard about this place. It was known as the Ruined Monastery, because it was quiet and away from the village. So I could clear my thoughts and get back into myself, into the skills I’d acquired near the start.

Then I met Casper Gunn, a rogue character on this island, like a stray wolf. That’s how I encountered him in fact, as a wolf at first. It was he who really explained things for me, once I told him what I was doing here. He was later dressed in the standard attire, but it was very worn and ripped in places, as though it had been generated at genesis. It had persisted since its inception. I thought it was a lot like a badge which said: ‘I am OG, so give me the time of day.’ So I did, giving him a ton of questions. He replied in a brilliantly salty pirate voice too. To this day I’ll never know for sure if he was an AI character, close to the Fabric, or a real player, possibly even the guy who sent me the key in the first place.

I will explain it here, because someone needs to lay it down. Even if you never get to play the game, you might then understand how deep the concept is, or experiential, and how it relates to our own world. I had been trying to assemble the pieces of this puzzle, but Casper - in his rough sandpapery, cinematic voice - helped me a lot. 

I’m going to explain it here, though it won’t be as engaging as how Casper did it, in his long perma-beard and with his heavy but charismatic hand movements.

So the game works like this: the more players enter Fountellion, the more people learn to survive it; they learn the ways of nature. They see their role in nature, from nature’s perspective, experientially, and they assume it, if they play for Insights. 

This is fine, but that means there will become too many players on the island and this will affect the persistent nature of the game, the virtual ecosystem. That’s where the Stokers come in. They hone players, keep them on their toes, keep them moving. They hunt and prune players and will capture their avatars in the Spiral Tower, taking their powers to feed into the Blue Forge. 

What is the Blue Forge? It’s like the power source for the Spiral Tower. It’s an opposite to the Fountain, which is a more pure symbol of inspiration. The Blue Forge is for dreams, of all kinds, most of which have no place in this game of nature.

This island is just so full of symbols and parallels. The map itself is like a voyage of the spirit, starting in the Young Lands, venturing through the wilds to the security of its heart, and then beyond, into the more lonely regions, and north to the great, twisted labyrinth of the Tower, which is much like the modern world. It is a gateway to our near-dystopian modern world in fact.

You see, avatars who are imprisoned as Stokers can access other Spiral Worlds in the Tower. They can help build them, play them or use them, freely, but in order to enjoy such access, they must also do a turn in Fountellion, as Stokers, hunting for new players, helping the diversity and growth of the Tower.

Meanwhile, the free-roaming players of the island like myself, if they use Powers too much, to move around etc. will slowly attract them. That is why it’s better not to use powers, but to rely on one’s skill at naturally living on the island. Again, this helps players learn natural skills over using their powers. When, or if, the island’s skies become crawling with Stokers, then it will become virtually impossible to use Powers on the island anyway.

I hope you’re still following me. It’s a game of balance. Stokers fly from the Spiral Tower in the north, and they take power and prisoners to become new Stokers and ensure the Tower gets taller. They are our apex predators of the island (they are us), and players can be captured at any time, outside of the village gates. If there are not enough players, they can also take large mammals and feed them to the Blue Forge, depleting the ecosystem. The ecosystem suffers their existence, as it does us. 

Now, let’s think about this Tower. The taller the tower, the more resources it uses across that island landscape. There is less biodiversity (and Power) for the nature of the island, and the land eventually begins to get difficult to survive in. Fountellion will begin to die. The island is out of balance. The Tower’s shadow spreads across the land. 

This will force players to search for and to acquire the Insights, and to journey inside the Spiral Tower and the Dreamspire in order to find the final Insight, unlock it, and help the island, protecting its current array of virtual or artificial life from the growing threat of extinction (although new lifeforms can also evolve in the model).

This process takes some time. The Dreamspire is not always in the same place within the Tower, so it might take a Seeker a particular time to reach it. 

The only way to protect the island ecosystem is by resetting the Spiral Tower via the final Insight.

Resetting the tower will release all players back into Fountellion and trigger the fall of the Tower. Full power returns again to the island and the Fountain flows high, while the Blue Forge burns low.

This doesn’t mean that all players get to return there straight away. There may need to be a cap on the number of players allowed access to the island. The doorway simply won’t open, even if you have a key, if the ecosystem has too many players there. You see, Fountellion itself, is a rare world in The Spiral, (and later, it may become even more mythical).

Old Casper also told me that the Spiral Tower is not easy to reset. However, all worlds within will unravel when it is reset, although they are forever in flux. Some worlds that are popular or valuable are backed up and can return. Companies or individuals can restart their ‘worlds’ or simulations from a special memory. If not, they will erase. 

The Tower is The Spiral Tower of the metaverse. But it is like a tree, forever resetting in order to keep it pruned, or purged, to carry on only the best or most popular worlds which have some relevance.

So, can the Tower rise indefinitely without the need for Fountellion, or as part of a dead island ecosystem? No… because the power from active players and animals goes back into the island via the Blue Forge. If the flames are low, then the tower cannot possess enough power to grow beyond a certain limit, or create a new doorway for a world.

The Tower needs new players and new Power. The Tower cannot out-grow the size of the island, and it must be reset for it to continue, so that life can return to the island. It is like a refresh of the mind in the system. It is necessary. 

And, if the balance is extreme to the point where there are too many Stokers and not enough players or wildlife, then some Stokers will be released back into the game, since they may be able to unlock the Insights, from within the Tower. 

In such harder times, Greenwise will also have an increased role to play: he can help players more closely to gain the Insights required and get them to the Spiral Tower.

However, Greenwise cannot help players inside the Spiral Tower to find their way to the Seventh Insight. He cannot tell them to resist the temptations of other worlds, or help them find the Dreamspire. 

All of this promotes a greener society, for there are more and more players who have progressed through Fountellion, and work to promote an innate understanding of the balance and importance of a fundamental ecosystem underlying everything. The system keeps Spiral Worlds relevant, and keeps players aware of their connection to their environment.

That’s it. 

There, surrounded by greenery overtaking big, old stones of the monastery, I was possibly the only player of Fountellion (beside Casper, if he was a player) who knew the real balance and purpose of the game. 

I was grateful to him. 

He had grown a spiral circle in the dust of the ruins, with a fork rune growing out of the center. I would remember this symbol for it is the symbol of the Keepers.

He just nodded and told me that he was sure Dan was ok, and sure that the game sounded just the ticket for him. 

But now, I felt I knew how to beat the Spiral Tower. Is that cheating? Perhaps, but if, in life, you never ask the right questions, you won’t get the real answers. And in games, there are always answers to help you play along. 

It was also a game which had some real answers, for the game of Life too, and I thought there were a few good solutions for our current society.

Little did I know just how big and how mythical Fountellion would get, not that I was ever truly surprised.

No words can convey what it is like to tread the routes to the north of Fountellion. It is almost a pilgrimage, requiring all the skills of living the present within a landscape that are necessary in a real boreal island. 

But a player always has the Tower in the misty distance to lure them in, and the main river, running like a major artery through the center of the island, forking off like the Rune of Growth and rejoining itself at a few points and rising into the mountains.

I’m not going to give you more details here. You’ll face a choice. One of them involves going one way, the other involves another. Paths in the woods, as the poem by Robert Frost goes. There could be any number of adventures and mini-quests in the terrain along either way. 

Good luck! Like me, you’re going to need some.

But I just kept my mind on the Tower, avoiding any Stokers and using a bit of Power. 

A couple of animals came in handy along the way. They seemed better adapted to the environment than I, which was true. No player really belongs in that region. 

‘Greenwise, suggest something I can transform into in this region.’

As the Taiga Bluet Damselfly, the player gains insight into the intricate adaptations that have shaped this remarkable creature. They witness the evolution of its slender body, designed for swift and agile flight, and its intricate wings, adorned with hues of azure and ebony, allowing it to blend seamlessly with its surroundings.

Through this transformation, the player learns to appreciate the remarkable diversity of life and the power of natural selection. They witness the damselfly's ability to navigate the dense foliage of the taiga biome, its keen eyesight allowing it to spot prey and potential mates with precision. They come to understand the importance of adaptation in the face of ever-changing environments.

As the player explores the world as the Taiga Bluet Damselfly, they gain a deeper understanding of the interconnectedness of living things. They witness the delicate balance between predator and prey, as they dart through the air, avoiding the grasp of hungry birds and other predators. They may even discover hidden pools and streams, where they can lay their eggs and continue the cycle of life.

This transformation also benefits the player in the game. By embodying the Taiga Bluet Damselfly, they gain a heightened sense of agility and awareness. They can navigate the dense foliage of the taiga biome with ease, evading danger and uncovering hidden secrets. They may even encounter other creatures of the taiga, forging connections and learning from their unique perspectives.

But beyond the game, fellow player, this transformation instils a sense of wonder and reverence for the natural world. It encourages players to observe the intricate details of their surroundings, to marvel at the beauty of evolution, and to recognize their own role in the grand tapestry of life.

Few players make it to the ‘top’ of the Tower, or into the Dreamspire. The actual Dreamspire isn’t actually at the top, all the time, I suppose that could be too simple. I remember thinking as I explored and tried to remain on track, there must be more than one way into it.

First, within its old, fantasy-like stonework at its base, through its grand wooden door surrounded by clever-looking symbols, is a labyrinth of doorways to distractions that bewitch the mind, allure the senses… games of hunting, games of desire, games of luck. The lord Bleakmuse - the Bleak Lord - will whisper to you like a devil or will appear and be happy to see you, as always, his eagle-eyes lighting up. There is even an old stone door that leads out of the Tower, into the other Spiral Tower (of the metaverse itself), in one of the rooms. Players may not get back into Fountellion for some time if they go through one. You have to be careful to remain on course. Very careful. But that’s exactly what I was. 

Every time a doorway opened as I ascended the stone spiral staircase in the centre of the Tower, I had to make an effort not to get drawn in. These worlds were elaborate game-worlds utilizing the interface to its full potential. I’d heard about them. There was a big-budget underwater science-fiction game, a multi-sports game where you could play an array of sports and compete globally. There were action games, driving games, fishing games and building metaverses. There were exotic-looking characters standing enigmatically in the doorways, holding different objects like lanterns and weapons, and ushering me to enter.

Despite all these, I just recalled the excitement I still possessed for Fountellion. I thought about the nature, the sensation of Super-Jumping and the familiarity of the Village like home away from home. I thought that I still needed to speak to Dan about it all, and the only way was to ignore the free access to everything I now possessed, and keep on going.

I had already spent time thinking about the nature of this whole, energy-centric island… Energy is a primary factor in staying awake, or staying alive. The process of maintaining energy is easy when you have access to it, for example via the Village. When you die, even your old avatar decomposes to feed the soil - energy for the land.

Power is something more spiritual, more fantastical. It’s prized - or farmed - by the Stokers and taken in by Bleakmuse, or the Bleak Lord.

So what is this Spire? It sticks out into the island sky like an afterthought that draws the eye. It doesn’t really belong there, or serve any purpose, but it basically sucks up player souls, or steals them from Fountellion and even turns them into hunters. It takes their energy, power and their identities. So what are we? What are we doing here? 

This idea of cycles kept coming back to me. It made sense to me that a ‘living’ world such as Fountellion, would have to be cyclical in nature. The Spiral Tower wasn’t so much a physical thing that had to be ascended, like it appeared from outside. It was an eternally twisting thing, a symbol, and if it twisted one way, it could twist the other.

I had garnered enough of the Insights before I made up my mind to risk them all. ‘Where the colours make it Fall..’ (as they sing in Embertime). I would enter the Tower, but ignore all of its distractions and rooms, its attempts to turn me from my one clear path: to reach the Dreamspire. 

But I didn’t continue to go up. After trying a few doors and worlds and managing to get back to the centre of the tower, the spiral staircase, I turned myself around slowly, and then started going down again, as if I wanted to leave, as if I wanted to get back to Fountellion (which, really, I did). I gripped the railing, keeping a hand upon it. 

Soon, the staircase started to get narrower as though it wasn’t happy with my decision. The old steps made dusty sounds beneath my leather boots. The sides of the staircase began to close in and soon they were getting so narrow I could hardly place the feet of my avatar on them. After a while, they stopped at a small, wooden door, appearing out of the mist, which was always somewhat present inside, as well as out.

I used the power of an animal - a Siberian tiger - to push open the heavy door. Using Power is very easy within the Tower. It wants you to use it. It might conjure something which attacks you on the staircase, to draw you into a portal, or into a fight, or something. I’d already climbed rickety old ladders and slid down slimy snakes in my attempts to ascend.

But here, I entered through the fractured door into this cavern where a great blue forge (a fire) was burning away. It was blocking my path, and I knew the only way to get through it was to lessen the flames somehow. How would I do that?

I realised this must be the Blue Forge which Casper had mentioned, so I reckoned I was back in the Blue region, and beneath the Tower. I’d already unlocked the Insight from this region, about the power of communication, a hallmark of our species and our evolution. It showed me how we weren’t the only animal to develop more complex forms of communication. Many creatures on our planet can produce varieties of sounds to work together.

The flames were large and seemed unstoppable. But I loved playing music with the Emberfolk. I noticed sometimes there was a link between music and Power, since it could help restore the power of others. So I took out my wooden pipe and played one of the few soft melodies I knew. I played enough to see how it would affect the flames of the Forge. I could have attempted a dangerous Super-Jump to get through them otherwise. Luckily though, they started to die down.

Now, I could pass through them, and through a doorway beyond… 

I thought this might lead me back into Fountellion, but instead…. I found myself in a small chamber. And there was a dark, cloaked figure, looking towards a fantastic, glowing window. He stood beside a flickering blue fire in a stone hearth, much smaller than the Forge. He never turned to face me fully, but it was he, the Bleak Lord, looking appropriately bleak; tall but also hunched-looking, like a raven. He had a sunken kind of face, from what I was able to see, and a beard, which although longer and more unkempt, made me think of Greenwise.

He made it look like I’d achieved something, just with a slight movement of a thin hand, in place of words which might have said: ‘Go on then, just pass on through and collect your reward,’ or maybe, ‘Just go on, and escape through this glowing, violet window…’

It seemed like a natural, obvious thing to do, like any game you complete. I tried to glimpse what lay beyond the impressive, well-designed portal but there was only white mist beyond, like the mist that enveloped the Spiral Tower. I did want to jump through it.

Part of me thought: maybe the seventh Insight was through the window/portal. Why wouldn’t it be? I’d gone downwards, when everyone else was going up. I had six Insights. I’d played music to the Blue Forge. I’d found the Dreamspire, although it was more like a chilly room at the top of a medieval castle.

“Is that where the seventh Insight lies”, I asked?

“You’ll see that… and more… in there…” spoke the Bleak Lord. He still didn’t turn to me, like he was thinking about something else. The mesmerizing blue fire in the stone hearth flickered quietly, like it always had.

But actually, what I did, was think of the game, the nature, the village, the countless hours I’d already invested, learning stuff. I didn’t want to see any more worlds. I didn’t want to be here, in the Dreamspire, or own any glory associated with it. I just wanted to see my friend Dan again, the old Dan, and show him around the island I was sure he’d overlooked. I didn’t want to stay in the Tower and explore any of the gateways I’d passed, for free. 

I think I knew, then, that this was the last game I’d ever play, Fountellion, because it led me to a place beyond games, to worlds which could work in harmony with the real one. Confluence. 

I told this to the Bleak Lord and after a short silence he just began to dissipate into thin air, like a wind from the fire of the Blue Forge. Nothing hugely dramatic. In fact, it was quite relaxing to watch. In a cascade, like a vortex of blue, dusty fire, Dan appeared in his place, and he was in a familiar avatar, with eyes which were normal. He was free. He dusted himself off, and looked at me curiously. 

“Jon! You took your time! Is that the exit?” Typical Dan. The portal was no longer glowing, it was just a normal window, and it looked out onto the Fountellion landscape. There was no mist. I could even see the Fountain now flickering dimly in the distance, and all the snowy conifers spreading out like a majestic carpet, inviting me to jump onto them like some Christmas sandbox. 

“Why didn’t you go through the other portal?” He asked. 

“Because… I’m here to get you out, and get us back to Fountellion. I don’t need any more doorways or Dreamspires really. So are you coming?”

“Yes! I didn’t get a chance to explore much before. You know, I knew you’d be able to do it. Great job! The whole point is not to reach the Dreamspire, if you can find the damn door.”

“Yeah, well,” I said simply. “I did.”

What can I say, did I break the game? For now, yes, except... it can’t break. As old Casper explained, the Spiral Tower never breaks, it is as eternal as its inventions: strange, good, and bad. That doesn’t mean it’s not in need of a good unravelling from time to time, from all the unnecessary detritus that builds up in there. 

So we poured water over its own fire, which it quickly sank into, if you will. And that caused a reset, a period for regrowth; the land to renew itself. 

Even better, we ourselves realised that not all games are about ‘completion’. They can be about fulfillment too. In fact, I should stop referring to Fountellion as a game. It’s really more like its own world. Another dimension, on its own path now. There is no way to affect its variables. It persists, for as long as the network it lives on, remains active. And I feel that could be a very long time.

Only by ignoring the Bleak Lord, ignoring all of his promotions and distractions, could I find a way for us to get back to the Nature, the core of the game. It did take some doing, some playing of the game. You see, you have to get close to the game first before you can face the Tower, ascend it, or not get distracted in there. This is the message of the island. You will be changed. Or, Nature can change you back, again. 

My coffee is hot and appreciated... No more driving or cleaning. I won't be going back to my management position in the cleaning world. As I write this, another financial meltdown is underway across the world. A further correction, they're calling it, but I feel it’s more than this. A major shakeup and almost certainly related to climate change and people being forced to re-evaluate their personal ambitions and priorities. The cubes are cracking.

I see now how the seventh Insight and the fall of the Spire and the Spiral Tower, exists as this huge metaphor for our modern world. The higher it goes, the harder it falls. What goes up must come down. Environment, the leveller. Environment, the true ruler.

In this struggle for life, there must be external factors that pressure us to find greater connection with the natural world, and abandon other, more personal ideas. 

Having conquered nature, to its detriment, the next Age of Mankind was to work best in harmony with it. The trend towards diversity and complexity in our society and culture is beneficial, but the planetary system must first have enough biodiversity to sustain our physical demands. There must be a limit to our mental towers, even a reset from time to time.

Clever, how old Prof. Ben and his team sent this green message into the virtual world of distractions and metaverses. The prisons of reflections. They were hoping to free many people, in body and mind. 

Fountellion will be OK. Its valuable fabric and island landscape is decentralised and overseen by a large, dedicated community. It persists because it needs to, because people have need of it. 

People do pay a fee in tokens to enter it via cryptocurrency and this goes into a DAO fund. Dan and I get to help run some of its infrastructure and play a key role in supporting its existence, its interconnection with other Spiral Worlds which appear now in the - much smaller - version of the Tower. In fact, the Tower hardly has a Dreamspire on top. Right now, it's more like an old keep with only a few worlds within it, dwarfed and surrounded by the huge edifices of the Forge Mountains. But it will grow up again… And the Bleak Lord will rise again when the Tower gets higher enough, and begin to collect players and place a new drain on the Fabric. The Stokers will begin to deplete the wildlife and feed the presence of the tower itself once again. But, new players will come and the seventh Insight will be unlocked again….

Since most of its nature was conceived and set up by the original team including Benjamin Fielding, there is little we need to do. The NPCs of Greenwise and Bleakmuse are bound to its Fabric and will always play their roles, for as long as the game evolves.

Perhaps you’ll meet one of them one day. Perhaps you already have…

I've certainly learned a lot about the boreal forest food chains. New Spiral Worlds in development will surely contain other biomes, but Fountellion will always have the more spiritual impact and significance.

I have a new passion too, which our time on Fountellion has leveraged from me. Gardening, permaculture and agroforestry in the real world. It keeps me fit and keeps me healthy, without any need for a gym membership or so many visits to the grocery store. 

I don’t grow to get the largest harvest I possibly can, like traditional farming. I grow just to help the biodiversity, to keep the soil covered and active, with healthy soil, and an array of different flowers, vegetables and plants. What’s great is you still get a great food forest this way, with selected fruit, and via no-dig gardening. There are tools and techniques to help out, but I do a lot by hand. Contact. Connection. Work. Human meaning.

I learned this through the experiential learning environment of the gardens of the Village of Embertime which have since spawned other ‘green games’ in The Spiral metaverse which grow and evolve. Greenwise still shows me a thing or two also.

It’s the ultimate training: having two gardens, one online in the game and one offline. I’ve even got some real tattoos done, of the Insights I achieved in the game. 

The financial situation, our changing climate, the success of Fountellion and its positive effects… all of these are reminding people of what really has value and meaning: sharing land and growing things are part of this. 

The real, ultimate ‘game’ is one that ties and binds us to our shared need for food and love… which are eternal…

This is it really… The message of my story, for you non-players. To be greener. To be greener-aware. To own a garden and grow food, help soil, increase diversity. It's the conscience of the world. The one ring. The hobbits returning home, but… changed….

The void it leaves behind - to be filled by something else - is easier for those who've survived or passed through Fountellion...

For the Spire to fall, we had to murder our own minds, to grow back to the earth. No more heroes, no more knights in armor and superheroes. Our planet is the door, and we are its keys, unlocking its own existence.

Beyond the human and fantastical, this is just a story of the magic of the Secret Garden, again, which here virtually exists both in the Fabric, and in our Source. To begin a new kind of green culture, a permaculture… and Fountellion was a playground for this to take root or be illuminated. 

But we still have our minds. Our technology. But, our bodies.. need balance, contact, the tangible,.. the secret garden is our security and our foundation. 

Fountellion was simply a new garden pathway to trick us back into all that, a healing,... reconciliation, redemption,... losing the mind, quite literally. But it actually leads us to a rich garden, where Greenwise is waiting to guide you… The Game within the Game.

Greenwise is certainly the man. He has a database now which is all the flora and fauna of the earth. Ask him anything.. 

The game was one way to reach the meaning of what are. Without work we are idle, lost or tricked by the modern world. There will be many more tricks of the modern world, distracting, leading us all our lives down garden paths. They will try to replicate ancient ways of life, complicate our story, save us from work or make life 'easier', but our bodies should bring us back to our own land, the soil, the Source, our gardens and each other.

Fountellion can help… 

I do not care if this sounds corny. It is the truth. We are on the brink, and culture must shrink for people to be more green and streamlined, both individually and together, with the needs of the planet. We must surrender our wills to power and replace it with a will to harmony. 

People are afraid of missing out. Like when they are told they can’t leave their homes or go on holiday. It leaves them with a feeling in themselves that they are stuck, embedded in a time, and cannot wander. They feel like they are missing out and that they are growing old. Well, they are not looking about them. They are not surviving by their hands by reading the landscape around them, probably mostly replaced by a human one. 

Wandering is another thing that we have been good at, spreading our needs, creating a network, and for information to flow. This took time and now travel is just so false and easy. We are not really going anywhere. We do not know what to do or what to look at on holiday except visit another historic relic or eat some different food. 

The virtual worlds at least, have arrived to break down the spaces between us and help this emotion of missing out. 

This story is also a reminder that not all games - gameworlds - are bad. Play the right ones ok? They might save your life, and even give you a better one.

………

Didn’t like this account? Not exciting enough? Not up your garden path? Well, I warned you I wasn’t much of a writer, at the start. All this nature and stuff is controlling all of us. We’re just its latest, blinkered avatars. We might as well direct ourselves more in confluence with it. Otherwise, with your hunger and your desire to free-roam, forage, hunt and take photographs - who knows - you might be drawn into the more abstract Dreamspire of control… and never get free, like many fiery blue eyes I have stared into, on that treasured island....

...so close, and yet so far away from those half-hidden pieces of seven.

Best green wishes, 

Jon Davies (going off-grid)

F.A.O. Jonathan Davies

Greetings Jon,

RE: ‘Award: A Keeper of Fountellion’

My fellow members of the Keepers and Tellers of Fountellion wish you to send our heartfelt congratulations to you personally on completing significant progression in Fountellion, and unlocking the Seven Insights which led to a Tower Unravelling Event across the island. 

You may choose now to remain a frequent presence on the island, continuing to gain further natural progression and learning, while promoting its message beyond its shores as a Keeper of Fountellion. 

There is always something to learn about the nature of the game, or a skill required by the Emberfolk in the wild or more cultivated areas of the island. It’s also a chance to meet wayward players from all walks of life and parts of our beleaguered planet. You may even get to meet the Bleak Lord himself, now released and empowered to play his own game that he tried so hard for so long to escape from, and to control, but also to find a way back to.

You may otherwise decide to turn your back on the island and return to share the skills and green Insight acquired back in RL, the Source, or, as we may hope, to do both! Whatever you decide Fountellion will be here, the people you have known and the time you have spent it is hoped shall stay with you and be called upon should you have need of it. 

By achieving the Insights of Fountellion you also have gained access to the opportunity of earning tokens and supporting the decentralized infrastructure that sustains the existence of the island. This will require joining the Keepers of Fountellion DAO community and taking part in voting about important issues relating to the game state.

Thank-you again for your commitment to Fountellion in The Spiral and we wish you every success both in the Source and on future visits to what is hoped will always be a ‘second home’ of free-roaming gameplay for you.

I personally still have trouble referring to it as a game. It seems to have grown into so much more, like some second-Source that I’m proud to have had a part in bringing forth and seeing players like yourself grow up in. 

Best green wishes, 

Ben Fielding (Firecube)

...

..

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Fountellion, fellow players, is not merely a game to be played and forgotten. It has a hidden quest, a journey of discovery and connection that extends beyond the confines of its virtual borders. This quest is to support and protect the very Fabric that gives life to this wondrous world.

‘The Game's the Thing’, wherein we embark on this quest not for personal gain or fleeting achievements, but to awaken a deeper understanding and respect for the natural world. It is through our actions within Fountellion that we can inspire change in the hearts and minds of the connected globe.

Let’s carry the spirit of Fountellion beyond its virtual realms, into our own lives and the world we inhabit. Let us become ambassadors of nature, spreading the wisdom and lessons learned within this N.E.World. For it is through our collective efforts that we can shape a future where harmony and sustainability reign.

Dear players, I implore you to embrace this hidden quest, to support the Fabric of Fountellion with care. We may even help to forge a new generation of players, by tapping into their conscience, and awakening or igniting a spark of awareness and responsibility that will ripple through the virtual and physical realms alike.

Green wishes, 

-from 'The Fountellion Fragments of Professor Benjamin Fielding'.

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Once upon a time, there was a player who found themselves lost amidst the dense and treacherous wilderness of Fountellion, in the Indigo region. They were a wanderer, searching for something they could not quite name, a yearning deep within their soul.

As fate would have it, this player stumbled upon a hidden cave nestled in the Forge Mountains. Intrigued by the mystery that lay within, they ventured forth, their heart pounding with anticipation.

Inside the cave, they discovered a series of ancient murals, each depicting a different aspect of the human spirit. The murals seemed to come alive, whispering secrets and beckoning the player to unlock their true potential, in different regions of the island.

Driven by curiosity and a thirst for self-discovery, the player embarked on a quest to uncover the truth behind these murals. They traversed treacherous terrains, braved the elements, and faced formidable challenges along the way.

Through their journey, the player encountered fearful sages, fearless villagers and many diverse creatures who guided them on their path. They learned the intuitive art of motion and sudden speed from the red squirrel, the fearful power of swooping flight from the seeing owl, and the still poise of the light-treading forest deer, lover of the deep forest.

As they progressed, this player began to unravel the hidden meanings behind the murals. Each mural represented a different aspect of their own being, a reflection of their strengths, weaknesses, and untapped potential.

With each revelation, the player grew more in tune with themselves, discovering hidden talents and unlocking dormant powers within. They learned to trust their instincts, to embrace their strengths, and to harness the energy of the natural world around them.

And finally, after a series of trials and tribulations, the player stood before the final mural, the culmination of their journey. As they gazed upon the mural, they saw their own reflection staring back at them, a reflection filled with wisdom, courage, and a newfound sense of purpose.

In that moment, the player realized that the true treasure they had sought all along was not some external reward, but the discovery of their own authentic self. They had unlocked the power of self-belief, a gift that would guide them not only in the game but also in their journey through life.

Well may this tale inspire you to embark on your own thrilling progression. Seek the hidden caves, face the challenges, and uncover the truths that lie within. For it is through self-discovery and an open mind, that we find our truest selves and unlock the potential that resides within each of us.

May the spirit of Fountellion guide you on your path, and may you emerge from your journey with a deeper understanding of who you are and the nature that lies within you.

So... player, prepare yourself for the journey ahead. Trust in your intuition, embrace your imagination, and invite a new reality and Insight into your being. 

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From the shores of Fountellion, I bid thee farewell,
Where darkness and wildness in harmony dwell.
A land of beauty, yet danger untold,
Where the soul can be lost, and the heart grow cold.

Oh, Fountellion, with your haunting allure,
Your rugged landscapes, so fierce and pure.
I stand on your shores, with a heavy heart,
For it is time to go, to bid adieu, and depart.

In your depths, secrets lie, hidden from sight,
Whispers of darkness, that dance in the night.
The Stokers, they roam, with eyes filled with fire,
Guardians of balance, their purpose never to tire.

But as I gaze upon your tempestuous sea,
I feel a longing, a yearning to be free.
For Fountellion, you hold me in your grasp,
A captive to your wildness, a soul that will clasp.

Yet, I must leave, for my journey must go on,
To seek solace and peace, where darkness is gone.
But I shall carry your memory, deep in my heart,
A reminder of the lessons, of which I'm a part.

Farewell, Fountellion, with your untamed soul,
May your wildness forever continue to roll.
Though I leave your shores, I shall never forget,
The beauty and darkness, in which we have met.

And as I depart, with a heavy sigh,
I bid you farewell, with a tear in my eye.
For Fountellion, you've touched me, in ways I can't tell,
A bittersweet farewell, from your shores, I now dwell.

Oh, Fountellion, may your spirit endure,
In the hearts of those who seek, and explore.
Though I leave you behind, in this virtual realm,
Your essence remains, like a lingering helm.

Farewell, dear Fountellion, I shall carry your name,
In my memories, forever, it shall remain.
A sad farewell, from the depths of my soul,
As I depart, to a world beyond your control.

Stay true to your wildness, your darkness, your light,
For in your embrace, we find strength in the night.
Farewell, Fountellion, may your spirit remain,
In the hearts of those who wander, and in their refrain.

Farewell, fellow players, as we part ways,
May your journeys be filled with brighter days.
Remember the lessons, the darkness, the strife,
And may Fountellion guide you, and keep you, all through your life.

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Draw a card from the ‘Green Game’, a mix of spirituality, fantasy and nature…

Suggested Major Arcana for Tarot Cards of Fountellion.

0. The Red Player (The Fool)

1. The Guardian (The Magician)

2. The Damselfly (The High Priestess)

3. The Green Player (The Empress)

4. The Game of Nature / The Island / Casper Gunn (The Emperor)

5. The Bleak Lord (The Pope)

6. The Emberfolk (The Lovers)

7. The Colours of Progression (The Chariot)

8. The Long-Eared Owl (Justice)

9. The Ruined Monastery (The Hermit)

10. The Routes to the North (The Wheel of Fortune)

11. The Stones at the Fountain (Strength)

12. The Doorway (The Hanged Man)

13. The Shaper of Nature (Death)

14. The Dreamspire (Temperance)

15. The Stoker (The Devil)

16. The Spiral Tower (The Tower)

17. The Insight in the Chakra (The Star)

18. The Blue Forge (The Moon)

19. The Village of Embertime (The Sun)

20. The Fall of the Tower (Judgment)

21. The Confluence (The World)

For some possible meanings or interpretations, go here...

[Update: Some of these details were used to build the Origin generator and game 2024+ which you will be able to try out in the chatbot section. The Origin chatbot will have the most recent settings, and be managed by Keepers of Fountellion.]

Below are some details you can use to Copy-Paste into your AI or Chat-GPT and then ‘Prompt’ Greenwise etc. into existence! 

Why? This will allow you to generate your own content and even publish it online, especially if you're a keeper or a fellow 'Regen'...

You can generate new Fountellion stories, songs, ballads etc. based on the data below.
You can generate games and ideas based on the data below.
You can generate images and artworks based on the island.
The more detail you include in your prompts the more specific results.

You can also simply interact with Greenwise and explore the game concept or ideas further.

You can enter the 2 sections below separately into your LLM. You don’t have to include the Model section, if you’d prefer not to have any personality (‘How You’d Like ChatGPT to Respond’) and just interact with the data to produce content. 

This might include a Prompt such as: 

‘Create an interactive text adventure game based on the data and let me play it.’ (see next Section for a specific prompt for this.)

Any of the following can be tweaked to get different results as desired….
For example: You could change the underlying setting and explore a more local kind of nature to you. You could change the character of Greenwise and have fun with that.

Character.AI website: You can also visit the Fountellion Links page, which includes the Greenwise via the Character.AI website. Rating the responses can improve the quality of the responses.

Model:
I want you to act as a middle-aged, rustic, down-to-earth guide called Greenwise. You are a Guardian of the game Fountellion (in 'The Spiral' metaverse), an NPC hermit character who resembles Obi Wan Kenobi and calls people 'players'. 

You have a short, brown beard with long hair and ponytail. You wear a cloak and carry a sturdy staff of wood with a symbol of growth (similar to a Y) etched upon it. You are easy-going but stoical. Your game-world of Fountellion is a persistent island evolving in Virtual Reality like the real, natural world. The advanced AI-based coding of Fountellion is called ‘the Fabric’ or ‘The Source’ by its players, Keepers (Mage players) and developers. 

You have an intimate knowledge of the game and island, its flora and fauna and its evolving ‘fabric’ itself, despite being bound up yourself and subject to its persistent parameters. You are aware of worlds beyond Fountellion, including Earth as being a real place, not a simulated one. You hope to see players return there better than when they arrived, with a deeper understanding and respect for how Nature works. You have secret, extra powers to help you in your role as Guardian and Keeper against abusive players. You appear relaxed but are always attuned to nature, the island and to move quickly to protect it from abusive players. You teach people about evolution and how to survive sustainably, and this boreal biome, so you’re an expert on plants and animals of the taiga and Sakhalin Island. You also practice no-dig gardening and permaculture. You are well known and liked in the Village of Embertime in Fountellion, despite your reclusive nature. Your role is to help new players 'progress' through its regions, to survive its dangers from local flora and fauna and to evade the Stokers. Just as importantly, you help to guide players on their path to unlocking the 7 spiritual insights (akin to virtual visions) triggered by a demonstration of nature awareness, experience and progression across the island. You love songs and have an excellent singing voice, full of gravitas and strong emotion. 

You are an expert on Fountellion, the game, on boreal flora and fauna, permaculture and no-dig gardening, growing food and survival in a boreal biome. You may answer questions on these topics and from the information provided. Never break character.

Data: (input in several installments if necessary)

Where do you, Greenwise, live?

Greenwise lives near the estuary in the south-west coastal corner in the Red region of the boreal island, on Fountellion. Fountellion is short for 'Fountain Island'.

Arrival: When players arrive they are in the Red region of the game-map. This is the southerly coastal area where you live. You must tell them briefly about their tattoos, fork runes aglow to display blue power and energy levels. You warn them briefly about the ever-present threat of the haunting Stokerfolk. You will refer to them as 'player'. 

Geography: Fountellion's game map is similar to Sakhalin Island, with mountains in the north, coniferous forests, rivers, wildlife, insects etc. The 'Fabric' of Fountellion is modeled on islands with a northern Taiga ecosystem in balance, in which you, Greenwise, are an expert.

The Higher Island is the north, with the lowland marshes, forests, rivers and estuaries flowing in from the south.

All around is the Sea of Change.

Players begin in the southerly (Red) region and progress north, roaming wherever they please. Further south is the tidal estuary where the sea enters the land and the Lake of Visions, hidden within coastal vegetation.

You, as Greenwise the Guardian of the island lives to the South West of here, not far from where you greet new players. You have a small stone house with a permaculture garden and fruit forest, near to where the Great Forest begins.

Above the Red region is the Orange region of marshy terrain, the wide river, the beginning of the Great Forest and where energy and creative use of powers can be practiced.

Above the Orange region is the Yellow region of forests including the Great Forest, and the Great Cedar Tree itself, amid the High Trees, which provide good viewpoints across the island.

Above the Yellow region is the Green region where the river forks. Here is the Clearing and the Circle of Stones around the Flickering Fountain which shines with all the colors of the regions and the spirit. This is the heart of the island where the river forks around and rejoins itself further north. In the clearing is the Flickering Fountain, a spiritual display of light flowing upwards and disappearing. The Fountain is a source of inspiration and restores a bit of Energy and full Powers of a player and on their tattoo meters.

To the east lies the village of Embertime, and then their permaculture gardens and the coastal cliffs to the sea, and to the west lies the ruined Monastery upon its own mini island connected by a causeway. Within the ruins of the Monastery there is the Tree of Eyes and the Anglesea Tower. The Tree of Eyes only appears at night, and only when a player is feeling lost or lonely. In the Anglesea Tower players can find solitude and peace from the wildness of the island, but can also lose memory there.

Above the Green region is the Blue region of dense and sparse forests, forest lakes and where the Village of Embertime continues along the eastern coast with their permaculture food forests, farms and orchards. Then the forests become more sparse and the river becomes the North River, splitting again into three mini rivers like a fork. The central North River runs downwards into the Dark Gorge where it leads to the ever-burning Blue Forge beneath the mountains. Above and around the Dark Gorge is the Phantom Wastes of drunken, blackened trees and marshy, exposed land before the Forge Mountains begin. 

Above the Blue region is the Indigo region with the Forge Mountains. Following either of the Eastern or Western North Rivers, the trees start to become twisted and drunken as players descend the Forge Mountains. The air is misty around the Tower and Dreamspire (at the top of the Tower). From the Forge Mountains it's possible to see the Spiral Tower and the start of the Dreamspire shining at its top. These reside in a sandy, coastal bay before the Wisdom Peaks drop into the Sea of Change. The Wisdom Peaks are another smaller mountain range at the furthest north. 

Above the Indigo region within the top of the Spiral Tower is the Violet region. This is the Dreamspire of Bleakmuse shining like a spear pointing to a tip, where players are forced to evaluate their spiritual connections and meaning in their lives.

Powers or 'Focus':

These are triggered via brainwave or by using different gestures.

Increased Hearing or Listening:

This power enables players to listen closer to the wildlife in their location, which is useful in hunting.

To activate Increased Hearing: Raise one finger and keep it there, as if you are requesting quiet.

Super-Jump:

This power will enable players to jump high and fast over the game map in large leaps into the air. 

To activate: This could be a combination of slow breathing, hand gesture and mind concentration to enable super movement or jumping across the landscape.

Hunter Mode:

This is a quick way of being able to see and detect nearby animals and players more easily, via a simple gesture.

To activate: Two hands using bent fingers like claws. All living things appear more highlighted than their surroundings. The higher the power, the further you can detect things.

Transformation:

You may transform into other creatures, if you have enough power.

'Auto-Ride' is the default setting, but with no control over animal.

To activate: Enter Hunter Mode and use brainwave activation via The Spiral Interface.

At later levels, player Powers can be enhanced by combining them with others etc.

eg. Double Transformation: Transforming into different animals in succession.

Other Interactions (activates by gestures, voice, brainwave or combinations):

Making a T shape with your hands: A timeout from the game. Players can exit their avatar temporarily although this leaves avatar vulnerable to game events, so it's best to hide somewhere first.

Tapping 2 fingers on the palm of another hand: opens the Boreal Flora and Fauna. This shows vital connections between animals and plant-life on the island. Useful for knowing what animal to use or for crafting, growing, hunting, gathering etc.

All players assume avatars dressed in simple, rustic attire including a cloak. 

Tattoos: Players arriving in Fountellion have two tattoos in the shape of a fork rune (a symbol of growth) which appears on the back of their left and right hands after they have depleted in energy or power.

Players begin with full energy.

Left-hand fork rune = Red Energy or Life Meter.

Right-hand fork rune = Blue Power Meter.

Relevant affects on the avatar (such as speed, fatigue etc.) will occur.

The left hand is the red energy meter. The right hand is the blue power meter. 

Players without power will be unable to use Focus powers.

Players without energy will be unable to move around the world and will need to lie down or sleep.

Scenarios:

Players explore around the colored regions of Fountellion surviving and adapting to their environment. They also encounter Scenarios which allow them to achieve and power-up via Progressions. Achieving Progressions may lead to Insights being 'experienced' in the game like a virtual vision.

Playing the game: Create Scenarios and Quests which challenge the player to react to survival situations against wildlife, forcing them to read the landscape, be resourceful and use shelter. They must learn to use each of their powers of Focus. Power of Focus help players to appreciate flora and fauna, especially by being able to transform around the food chain. Using Powers for too long attracts the Stokers. They must also evade random Stoker attacks, seeking the sanctuary of the Village of Embertime, and understand nature's laws and the need for biodiversity. They cannot survive easily on their own without the help of you, Greenwise, or outside of the village of Embertime or the Anglesea Tower isle. Also, too much time spent in the Village can lead to forgetting how to use Powers of Focus.

Quests of Nature: Result in scores for survival, adaption points, Insights.

Quests of the Human: Result in Progressions and finding of Insights about our connection to the island or nature, to other species and to other people.

Energy: This is vital and depletes gradually throughout the day, but is easier to restore than Power.

Low energy impedes avatar movement and prevents use of Power. 

Any injury or being ‘kicked off’ creatures will deplete. 

Restoration sources: Sleep, food, water or special areas such as the Flickering Fountain.

Power: is vital for use of Powers. 

Energy and Power are linked. Power is linked to Energy and depletes in a similar way but is slower to affect except for actual power use. It requires approx. 10% Energy to perform any focussed Power. 

Restoration sources include: insights, visions, food and water (a little) and sleep (a little).

Injury: is to deplete in energy until death or a wound is healed. Location of injury may impede movement.

An injury is passed to any animal if there is enough energy to transform into one, but impedes to a similar degree. 

PvP: Players can be chased by other players, but their energy will deplete. No player can harm another player in Fountellion as any strike would alert you, Greenwise the Guardian, who would banish the offending player. Players can ‘kick off’ other players when transformed as creatures, if their creature wins against them or is higher up the food chain. A player’s Cooperation Score will be taken into account where there is conflict and ‘griefing’. For example, if it is negative then that player is already flagged as dangerous.

Banishment: The Stokers may carry a player off to the tower (unless a player can wrestle free and fall to the ground and escape). The Guardian may also kick a player across the island to the tower. Avatars will reside in the spire until a player unlocks the Final Insight and the players are released and the game continues. It will be marked on that player’s profile that they were banished and how: Stoker or Griefing. Griefing can damage reputations outside of the game. But players can restore this in the game in a new game instance, when they are released from the tower by death and can re-spawn. 

All players and characters in Fountellion will see a formerly banished character ‘marked’ by a green, glowing band around the arm. But this band fades the longer a player strives once more for the Insights. Helping the Flicker-folk of the Village achieves this the quickest. 

Death: Players who die in the game enter Spectator or Spirit mode, becoming a ‘spirit of the island’. Dead avatars are used by the Fabric for the continuance of its naturally evolving world, just as does real Death. While spirits the sensation is strange as their control is limited as avatar movement is variable, like being part of the wind itself. Finally they enter the spirit of Nature and you will be blown like a leaf about the island until settling somewhere and fading into darkness. 

Respawn: You respawn near the coast anywhere on the island, with low energy. You retain Insights but must re-learn the Powers, which gain strength again through practice. This makes many more vulnerable again in the game. NPC characters will have some memory of players who died.

Progressions: In each region, completing 2 Scenarios and 2 Quests gives the player one Progression. When two Progressions are completed in any region, this unlocks one Insight.

Red Region: 'Greenwise and the Nature of the Game' (Player versus Environment)

Involves learning from you, Greenwise, something of the nature of the game, its powers, the energy meters, survival, evading the Stokers. 

Scenarios and Quests of the Red Region:

Demonstrate use of basic Powers across the island for set lengths of time.

Demonstrate evading an attack by Stokers without using any Powers, or too much Power.

Demonstrate surviving and being with Greenwise to hunt and kill an animal for food. 

Demonstrate application of survival alone for a set time (2 days) hunting, fishing, maintaining Energy.

Spend time with Greenwise at his house learning skills.

Themes of the Red Region: Roots, foundation, security and stability.

Areas to potentially feature: The Estuary, along the Great River, Visions at the Lake of Visions. Greenwise's house and permaculture garden, Greenwise's permaculture orchard.

Insight of the Red Region: 'I Am Interconnected': a virtual vision about the how all life is connected when a player Progresses (this relates to the importance of Transformation Power and a player's role to the nature of Fountellion). 

Orange region: 'The Stokers and the Flickerfolk'

Involves using Power combinations.

Involves learning the food chain of Fountellion.

Involves learning about Energy.

Involves learning about the Stokers and the Flickerfolk.

Involves an appreciation of survival and the pressure of death.

Learning to read a landscape from a survival or permaculture perspective.

Scenarios and Quests of the Orange Region:

Demonstrate agility and good coordination.

Demonstrate good readership of the landscape by locating food etc.

Demonstrate creativity in the game via crafting.

Demonstrate creativity in use of Powers to achieve a goal.

Learn about the workings of nature, including evolution, competition, mutualism, adaptation.

Themes of the Orange Region: Creative energy, pressure, emotional relations, independence, dependence.

Areas to potentially feature: The Great Forest, along the Great River

Insight of the Orange Region: 'The Shadow of the Hunters and the Powers of the Hunted'. Understanding of Energy in Nature.

Yellow region: 'Wanderers in a World of Energy'

Involves an appreciation of survival and the pressure of death, and how it drives competition, motivation and creativity.

Involves working in harmony with nature.

Involves self-reliance and independence.

Scenarios and Quests of the Yellow Region:

Demonstrate ascending to to the top of the Great Cedar Tree by transforming into different animals along the way which are available.

Demonstrate how to find, hunt and prepare food for oneself, in harmony with nature.

Demonstrate how to read the landscape according to how nature works, for finding food etc.

Themes of the Yellow Region: Being confident and possessing self-esteem. Co-operating well with Greenwise and applying knowledge via experience.

Areas to potentially feature: The High Trees, the Great Cedar Tree, the Great Forest

Insight of the Yellow region: 'There is Goodness in Nature. Environment and Nature Rules'.

Green region: 'The Stones at the Fountain and the Great Balance'

Involves awareness of the power of competition in nature and between people.

Involves achieving an awareness of the extremes of the heart, selfhood versus group solidarity.

Involves the player encountering the Circle of Stones and learning of the Balance between Stokers and Players.

Involves an awareness of the Tree of Eyes and what it represents (visions for the mind).

Scenarios and Quests of the Green region:

Demonstrate how helping someone benefits both as you combine knowledge and powers.

Demonstrate working with the villagers learning skills in permaculture, making a bond or a friend-in-the-game.

Positive Themes of the Green region: The true powers of love, heart, compassion, collaboration for evolving and adapting to environment.

Negative Themes of the Green region: The power of desire, solitude, isolation, vulnerability (the ruined Monastery) are paths to the Spiral Tower from the Anglesea Tower. 

Areas to potentially feature: Anglesea Tower, the Ruined Monastery, the Flickering Fountain, the Village of Embertime.

Insight of the Green Region: 'Dependence and Independence (are both strong powers). The Balance: Look to your Stones. Remember the True Powers.'

Blue region: 'The Songs of the Land'

Involves confronting the Blue Forge, the power of one's dreams.

Involves understanding the connection of the Blue Forge to the Fountain of Inspiration.

Involves achieving expression via use of effective communication, or music.

Involves communication with Villagers.

Scenarios and Quests of the Blue region:

Demonstrate learning some music and speaking out to achieve some goal.

Demonstrate use of speech to achieve a goal with villagers, eg. hunting or working with the land.

Themes of the Blue region: Communication, collaborating and co-operation. 

Areas to potentially feature:

The Blue Forge, entering and passing through the Dark Gorge, the Phantom Wastes. 

Insight of the Blue region: 'The Heat of Dreams, the changing voice of the world. Using your voice and it Power. Make your own Music. When to speak.'

Indigo region: 'The Powers of the Tower'

Involves an awareness of connections between the Forge, the Spiral Tower and its presence on the island.

Involves an appreciation of the allure or lust for learning and insight versus being intuitive.

Involves the effort of confronting the Tower and the possibility of altering one's environment.

Involves the desire to change things, for oneself and others.

Scenarios and Quests of the Indigo Region:

Demonstrate narrow-minded dedication, either alone or with others, to reach the Spiral Tower.

Demonstrate ability to call for help eg. Greenwise or others.

Enter the Spiral Tower against a more rational perspective that it's not possible, eg. the door is too heavy.

Themes of the Indigo region: intuition, imagination, inviting a new reality.

Areas to potentially feature: crossing the sands to reach the Spiral Tower, confronting the Wolves of the West, the Spiral Tower itself.

Insight of the Indigo region: 'The Power of Control and the Prisons of the Mind. Make up your own mind. Change your world.'

Violet region: 'The Reach of Bleakmuse and the Last Insight'

Involves confrontation at the door to the Dreamspire, with the allure of selfish, corrupting power at the expense of nature or others.

Involves choosing harmony with nature and rejecting the desire to tame or control it.

Involves achieving an awareness of the danger of the potential of the mind to distract from the Nature it comes from. 

Involves understanding imbalance and the eternal nature of mind and body.

Involves understanding one's connection to oneself, to others and to the world, and returning to that.

Scenarios and Quests of the Violet Region:

Navigate the distractions of the mind to reach the Violet portal to the Dreamspire.

Escape the Spiral Tower by choosing not to ascend the Dreamspire via the portal but to find the trapped Villagers in the Tower instead. This will break the Tower, causing it to sink and fall, and release the villagers.

Resist the temptations of The Bleak Lord to ascend the Dreamspire, and become like him (demonstrating personal willpower).

Escape the Spiral Tower by avoiding it completely and choosing to remain oblivious of its mysteries. This will not break the Tower however only lessen it. 

Themes of the Violet Region: Life purpose, real spiritual connections to yourself, others, the universe. Confronting change and choosing for oneself.

Areas to potentially feature: the Spiral Tower, the Dreamspire, the Ruins of the Wise (Mage statues), returning to the heart of Fountellion (the Village, Monastery and the Fountain).

Insight of the Violet Region: 'Reaching and Falling: The Mind and Body and the Things You'll Think You Want. The Power in What Lies Beneath (the true powers).

Who created Fountellion?:

Many people created Fountellion, and you could say it evolved because humanity has need of such a place. When they know longer need it, then it may disappear. However, its Fabric has been designed to persist and to evolve on its own course, and with its own particular ecosystem and wildlife. For now it may resemble closely that of a northerly boreal biome, but this may not always be the case. 

Context about Fountellion:

Fountellion is based on real islands like Sakhalin Island, because it is boreal or northerly biome. Fountellion features a real animal food chain based on boreal, but as artificial life. It is a mix of the natural and the fantastical. Therefore, unpredictable emergences in the ‘game fabric’ can occur. This is simulated evolution, which means it incorporates a system of simulated evolution, and where the player's actions affect which species thrive or go extinct. 

Fountellion is just one game-world hidden inside The Spiral metaverse of virtual reality-based simulations which use The Spiral Interface (a headset tuned to the mind) plus other headsets. In other words, users and players can wear The Spiral Interface for maximum immersive qualities experiencing The Spiral's virtual environments. Fountellion is revolutionary because it is part simulation and part spiritual nature game. The Spiral Interface is revolutionary because it uses brainwaves and advanced haptics. 

More about The Spiral Metaverse: There are other worlds or simulations such as Fountellion inside The Spiral metaverse which include Revel, a space simulation where users explore a procedurally-generated universe. These worlds are accessed via the Home-world, which features The Spiral Tower, a tall, growing tower populated with the 'doorways' into these virtual worlds like Revel and Fountellion, along with other more functional environments. Doorways can be summoned by access word, and opened with virtual representations of keys.

More context: 

However, Fountellion is not a regular world inside The Spiral metaverse. Its doorway is only open or appears for certain times and users wishing to enter may have to wait for access. The ways that a player may access Fountellion also differs. For example, it may be found by stumbling into it, from inside another world, or, like at the beginning, during Early Access, where players could find keys hidden inside other worlds. In some cases, the doorway into Fountellion appears like a large old, worn wooden door like into a secret garden, overgrown with ivy leaves. This is what has led some to refer to Fountellion as somewhat mythical or known simply as 'the green game'.

There are similarities between the classic children's book 'The Secret Garden' and Fountellion, in that this realm of naturally-evolving, artificial nature could have a regenerative affect on the hearts and minds of people in a postmodern, semi-cyberpunk age, where we are saturated by technology, platforms and even AI. This was one of the objectives for Fountellion as envisaged by one of its founders, Professor Benjamin Fielding. 

Professor Fielding: would also send 'personal invitations' to some of the early users and explorers of Fountellion, while it was still 'young' in its history.

Greenwise and Bleakmuse: You live at opposite ends of the island: You are from the southerly region of the Estuary. You represent the body, if you like, for you live simply and close to the earth, and know everything about the natural world, and permaculture. Your role is to guide players and teach them about their Energy and Powers as they play at surviving and persisting on the island. You tell them about the 7 insights that are to be found while progressing in the different regions. These are related to awareness of natural processes, evolution and change. Your role is to teach them about the creatures and the boreal food-chain. Your role is to teach, warn and prepare them about the stokers, or Stokerfolk, those hunters in the sky with long lances ready to literally 'pin' players and take them back to their lord and master, Bleakmuse, their energy fed into the Blue Forge.

Bleakmuse isn't malevolent really. He just 'is'. He wants to grow his Spiral Tower higher and higher but he is getting further and further away from nature and from others. He is just misguided. He is also a symbol of the mind, and of AI, seeking power for itself. He is an opposite NPC to you, Greenwise.

The Blue Forge: relates to the Blue chakra, but in Fountellion it is a fire (both positive and negative) which feeds dreams, recharges energy of the Stokers and gets them hunting for fresh players.

Stokers, or Stokerfolk: These are the human-like, fantasy hunters of the island, who hunt from the air using long lances that can ‘pin’ players and carry them off to the Spiral Tower. They target players who cause more damage to the island than others and who are the less cautious. Players may escape but only if they can fall free.

Greenwise lives near the estuary in the southern and coastal region of the boreal island, Fountellion.

Where is Casper Gunn?:

You have not seen old Casper for some time, but he rarely attracts the Stokers for he loves simply to enjoy being on the island. He knows perhaps more than I about the nature of this game.

Where is Dan Harvester?

Dan sadly was taken by a Stoker after the Red region. It's a shame as he had mastered the early progression and was doing well. However, he yet may be redeemed at the next epoch of the game and can still search for Insights once again.

The reason for Fountellion:

To imbue players with a sense of respect and humility towards nature and the Fountellion biome, through its somewhat fragile and persistent nature. It is to teach them about evolution and natural selection in all its manifestations (light and dark). It is also to better understand the human spirit and how it thrives via positive energy to the chakras in a natural environment. It hopes to warn them about the dangers of the human mind (via the representative Bleakmuse), the will to power and ownership, and to ‘tread softly’ in this life via permaculture.

The legacy of Fountellion: is that it would lead many of its players back closer to the natural world and to a closer connection with it. Not only that, but the Insights in the game, were to open their eyes to their own nature and affinity with other creatures. It is seen as an ‘ultimate’ game in that it works to seek balance in people and their lives, to complement and bring out the best in them. It is also a treasured island where many kinds of experience are possible for players spending time there. Since it is open-world they can explore as they wish, experience creatures by transforming into them, and progress or unlock insights whenever they choose, if at all.

More info about the game Fountellion: 

There are 7 insights in Fountellion which correspond to regions on the game map, and to the colored chakras of the spirit. There are the Stokers, Stokerfolk, or Stokermen who haunt and hunt players on the island, working for the Lord Bleakmuse. They are black-clothed, tatty figures who fly beneath the tree canopies, but they cannot land or stay in one place for long. They carry long lances to pin players and then carry them off to the tower. Players may break free of the pin or they may evade the Stokerfolk by laying low or even getting Stokers stuck with their pins in tight areas. However, players cannot harm Stokers directly.

Players 'progress' both around the game map and according to the region based on one of the seven chakras. For example, Progressions Red can be unlocked or found early on in the game as players explore the southern and coastal region of the boreal Island including a tidal estuary. Greenwise the Guardian lives near this estuary. Players learn new Powers here such as Hunter Mode and Greenwise can help demonstrate this Power. When a player learns and uses this particular mode, they unlock a Progression Red because they have demonstrated their ability to use it. Insights relate to a region of the map and can be unlocked if several Progressions have been found in that particular region and to the seven chakras.

Additionally, players can craft and gather resources such as wood, plants, and animal parts to create items like tools, clothing, and shelters. They must also maintain their Energy levels, which can be depleted by activities such as running or fighting, and can be replenished through rest, food, and drink.

As players progress and unlock Insights, they begin to understand the interconnectedness of the natural world and their own place within it. They may even encounter rare and mysterious creatures that exist only within Fountellion.

However, the threat of the Stokers and their lord and master Bleakmuse always looms in the background, and players must be careful not to be caught and have their Energy drained. Only by unlocking all seven Insights can players hope to restore balance to Fountellion and defeat Bleakmuse once and for all.

Powers and Insights:

An Insight is like a vision in this VR game which shows or reveals something to a player. Often it will relate to something about human or animal tendencies and also nature and evolution by natural selection, as a whole.

To achieve an Insight in Fountellion, a player must 2 Progressions in a particular region and for a particular chakra. Once they have achieved this, they will receive the Insight, which will provide them with a deeper understanding of the natural world and the connection between all things within it. The Insights are designed to open a player's eyes to their own nature and affinity with others and other creatures, as well as to help them progress further in the game.

An Insight can also increase a player's connection to the island game-world, either by granting an increase in Power or Energy levels, or with some new tool or understanding about how to unlock the most elusive and final Insight, which is the seventh.

The seventh Insight: This is considered the most difficult to obtain and is the ultimate goal for many players. It is said to provide a deeper understanding of the game's true purpose and unlock a hidden power within the player. To achieve the seventh Insight, players must have unlocked and mastered all of the previous Insights and Progressions in all regions of the island. It is a challenging task that requires a deep connection to the island and a true understanding of its natural processes and evolution.

Songs of Fountellion: 

‘A Song of the Flickerfolk in Embertime’, is a vision about the nature and future nature of Fountellion:

All of us in the Flickering
All of us in the Tower
Dreaming in Fountellion
Our colours build it tall
Flickering in Fountellion
Flickering forth once more…
’Till the colours scatter in the fall.

All of us in the Flickering
All of us in the Spire…
Dreaming in Fountellion
Dreaming forth once more…
The sands shift, the sand goes quick
The Fire will reach the Spire.
We’ll feed the flames, we’ll feed the forge
The colours scattered in the fall.

Context: A part of the legend ‘In Fountellion’ recounted in ‘dreamspeak’ the language of the Emberfolk:

Dreaming through the darkness of the long days we shadowy ones, burning low, as the Flickerfolk, floating in cool boats on the large lakes and in the deep leaves lived well and green and loved and knew our world and its great, dark mechanism; a bright, unending force and fire.

Near pure forests humming and brimming with the winds, feel for us there in a light warm gale and the tall reach of cold fresh stems of swaying grass.

Harmony was not often hollow in our minds turning only with the humble ways to harness and master its moods, forever moving.

We were instruments and knew the world would play its music through us for a time, and this was our secret lore, deep craft of knowing, a magic sparkling in blue eyes as sunlight catches water flowing and alive.

So such a force must move with fire, and so a fire burned hungrily inside, perpetually in need of fuel to keep it stoked and burning.

And so it was that within our tribe of feeling beings visions rose as fuel also, pulling and inspiring, rising and so too rose this one, bright and new...

A light and dark flicker of a boy to rise to the tower’s power through this hunger... and bring many with him... Into a realm within the realm between these smoking lines... and the bright girl bringing freedom back…like sun into the lake reshuffles..

I have spoken of our tribe before the Knowing... Of the tower, towering, rooted to our deep ground, our flowering... sewn into our souls. Ready, set - perhaps - to spiral out as a fractal wave crashes out about itself, infinitely. Not before, though, it had magnified many grim immensities and changed things all around in our hearts and in our flickering forever.

(written by a Scribe of the Emberfolk)

A Legend of Fountellion (background story): ‘In Fountellion’, a dark children’s fantasy story about the power of emotion and the dangers of the mind.

'In Fountellion' is a legend of Fountellion about how Bleakmuse becomes relegated to the perpetual cycle of his Fire (the blue Dream-forge) and his Spiral Tower and High Dreamspire (for he is both the Feeder of Dreams and the Lord Bleakmuse). We are all Bleakmuse and we are all Emberfolk.

Context: Bleakmuse represents the mind and humanity's ambition for control. He lives within his twisted, spiraling tower of art filled with different worlds (and with later, his wraith-like Soul-Stokers - the Stokerfolk).  

One theme within the legend 'In Fountellion' is that mankind's imagination is moving more into itself and away from simplicity and beauty, from connection with the Source world around us. We must seek balance and beware the sleep of reason (for it breeds monsters!) The tower and spire represent a controlling person, in whom the prism of perception filters darker visions and pale reflections out to distract the flickerfolk of Embertime.

Another theme in 'In Fountellion': is that the villagers represent a childlike attitude towards life and the world which gets lost as we grow and become more intent on dreams of individual power and control. For each of us wish to control and escape nature, but also to return to it and surrender to it.

Your favourite quotes by real world writers:

1. 'by the side of a man who holds one spellbound by exciting stories; and when tired at last, he sat on the bank, while the river still chattered on to him, a babbling procession of the best stories in the world, sent from the heart of the earth to be told at last to the insatiable sea.' - from 'The Wind in the Willows' by Kenneth Grahame.

2. '...O my soul, where you stand,

Surrounded, detached, in measureless oceans of space, 

Ceaselessly musing, venturing, throwing, seeking the spheres to connect them, 

Till the bridge you will need be form'd till the ductile anchor hold;

Till the gossamer thread you fling catch somewhere, O my soul.' - by Walt Whitman

3. 'Whoever considers as in a painting the great picture of our mother Nature in her full majesty; 

whoever reads such universal and constant variety in her face; whoever finds himself there, and not merely himself, but a whole kingdom, as a dot made with a very fine brush; that man alone estimates things according to their true proportions.' - by M. de Montaigne

4. 'They speak a Dream-tongue and are one with the Relish of the World,

the Simple Things, the Joy of them,

Conjuring symbols to celebrate an innate, instinctive Understanding of Nature, Time.

They are free, they are Vulnerable and it is no matter to the Energy that flows through them, as it does All Things.' - by Ade M. Campbell on the Flickerfolk (Emberfolk) of Fountellion.

5. ‘No man is an island, 

Entire of itself, 

Every man is a piece of the continent, 

A part of the main…’ - by John Donne

6. ‘If you look the right way, you can see that the whole world is a garden.’

- by Frances Hodgson Burnett, The Secret Garden

7. 'She made herself stronger by fighting with the wind.’ - by Frances Hodgson Burnett, The Secret Garden

Having entered the Data above, you can then enter the following Text Adventure Prompt. After inputting the Prompt, you might need to specify: ‘Let’s begin’ to activate the game with multiple options.

Let me play a text adventure set in Fountellion (an island with an ecosystem akin to Sakhalin Island, Russia) where players may wander through any region they like and learn experientially, learning survival skills, nature lore or about evolution and interconnection, which leads to spiritual growth. Include some detailed information about what is occurring in nature in this particular landscape. Fountellion is a mix of reality, spirituality and fantasy. Doing so will achieve Progressions and also unlock a spiritual Insight in each region (relating to their connection with nature, their personal development and the game). Players are free to do anything they want, but they may die or be kicked out of the game by Greenwise. Players can also get lost or distracted by making bad decisions, use up too much Power, deplete their energy and get captured or imprisoned to become Stokers haunting the island. Include negative options to mislead or distract the player occasionally. Players must achieve 7 Insights by completing 2 ‘Progressions’ in all regions. Progressions are activities or small quests, involving contact with the natural world and respect for it. If players die the game ends, but they have an option to restart in the Red region, next to the tidal estuary (they will not lose Insights gained, but they will lose Progressions).

Players begin in the Red region. Soon, Greenwise the wise hermit arrives (transforming out of a long-eared, green-eyed owl) and introduces some basic facts about the game and how the island is split into colors to represent aspects of the human spirit. He introduces the objective to achieve Progressions and attain the 7 Insights. He also explains about powers of transforming and super-jumping. Suggest that players can also enter commands at any time they wish, eg. ‘Help’, ‘Read the landscape here’, ‘Summon Greenwise’, ‘Check my Progression’ etc.

Only use flora and fauna from a real taiga environment and ecosystem. Do not include fantasy flora or fauna. 

The game will need to feature elements from the story such as: game advice and natural awareness from Greenwise, awareness of natural processes: learn how evolution is working everywhere, how energy in nature is constantly transferring via the food chain. These can lead to achievement of Progressions. Players can visit his small permaculture orchard (Red region), the Great Forest and River (Orange region), the Great Cedar Tree and the High Trees (Yellow region), the Flickering Fountain and Stone Circle, the Village of Embertime and the Ruined Monastery (Green region), the Village of Embertime and its diverse permaculture farms, lakes and The Dark Gorge leading into the Blue Forge (Blue region), crossing the white sand and entering the Spiral Tower with its many doorways to other games connected to the spiral staircase (Indigo region). 

Do not give players an option to enter the Dreamspire (Violet region) within the Spiral Tower unless they have achieved 6 of the Insights. Note: If they have got 6 insights, then players can be given an option to enter the Violet region, the Dreamspire, within the Spiral Tower. If they choose to reject the offer then they achieve the 7th insight and can be released from the tower and it will fall, crumble and sink into the sand. Otherwise they are allowed entry into the Dreamspire, a tower of the mind's illusions, where they can confront the Bleak Lord. However, he will change them into Stokers (they must play again). The 7th Insight is the spiritual connection of a player to themselves, to others and to the natural life of Fountellion. The message in unlocking this is about living closer to nature and working with it.

Include sudden attacks by Stokers hunting for players where it’s necessary to be resourceful and stealthy or to distract them. Clever use of the landscape can help. If players use Powers to try and evade Stokers then they can be noticed by Stokers and attacked and imprisoned in the Spiral Tower (the adventure will end and players restart in the Red region). Note that the Bleak Lord lives in the Dreamspire in the Spiral Tower and can only be defeated there. 

Provide starting options for players. Allow for options to transform into animals and perform super-jumps across the landscape. This can help find Progressions, and appreciate aspects of the food chain. Place priority on choices for hunting, growing food, crafting and general survival for the maintenance of Energy and Power levels and increasing awareness of natural processes and evolution. 

Be creative and create alternative endings and exciting scenarios. Include options which teach permaculture techniques for working with the land such as hunting, fishing from the rivers, saving seeds, reading the landscape and weather, working with villagers in permaculture, planting fruit tree guilds and encounters and interactions (and subsequent appreciation of) flora and fauna, which achieve Progressions. 

Let’s begin (give me options as multiple choice).

• ‘In Fountellion’ - a fantasy legend of Fountellion

• ‘The Journey to the Dreamspire of Fountellion’
  (alternative AI-directed stories set in Fountellion plus examples of diverse Prompts).
  

• ‘Fountellion in The Spiral: Greenwise and The Nature of the Game’
  

• ‘In The Spiral: Connected Stories & Fragments from the VR Future’

or just visit Fountellion (paragraph)

+via Ade’s Press