I genuinely believe NFT art as we know it today is just the beginning of what we will see in the future. Innovators will reach new audiences and distribute not only art but different sorts of entertainment. Ana Maria Caballero is one of those innovators that have already achieved tremendous success in her field (poetry) and is at the vanguard of the poetry NFTs movement.
I had the chance to chat with this talented poet and learn more about her journey in creating NFT poems. I recommend opening her poems to listen and get the whole experience of her works.
Can you tell us a bit about your background before NFT poetry?
I began writing poems in seventh grade, on the back of my middle school notebooks. Eventually, my poems overtook the journals, and I had to purchase new ones. I signed up for writing classes in high school and started crafting my first formal poems, a handful of which I slid inside the envelope carrying my application to Harvard University. There, I studied French, Spanish, and Italian literature and went on to several communication-related jobs. All the while, I was furiously writing poems, mostly in Spanish, my first language.
I stopped working when my son was born and finally found the mental space to cull my poems into a collection, âEntre domingo y domingo,â which won Colombia's National Jose Miguel Arango Prize.
POEM/HOME by Ana Maria Caballero - A collaboration between The KZA and Ana Maria Caballero.
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I then turned to my English verse, writing and publishing two chapbooks âReverse Commuteâ and âmid-life.â In 2022, my book, âA Petit Malââa lyric, hybrid exploration of my familyâs collision with disease and the recipient of the Beverly International Prizeâcomes out.
Currently, Iâm enrolled in the MFA Poetry program at Florida International University, where Iâve studied with Denise Duhamel, Julie Marie Wade, Campbell McGrath and other incredible poets. Iâm usually the oldest person in class. My plan is to never graduate.
Poetry, for me, means purpose and pause. Escape and solace. I write in the midst of problems. My poems tend to be straightforwardâthey say, this is it. As Louise GlĂźck writes, Opacity is fear. I believe that when we over-embellish what weâre feeling, itâs because weâre afraid of feeling it.
Frequently Asked Questions by Ana Maria Caballero - This piece was recently exhibited in the Lynn University NFT and Fine Art Museum, Boca Raton, Florida.Â
How did you discover NFTs?
For me, the act of reading is one of the closest forms of communion between two mindsâthat of author and reader. When individuals converse, there is mediation, interpretation, negotiation. A mind before a sculpture, a canvas, a digital image engages in an inner dialogue of interrogation, comprehension, valuation. Music gains narrative when lyrics are added. Films start with a script.Â
But minds deeply engaged with a text allow the language of the text to become their own. Poetryâs power can extend beyond that of the aesthetic because words become indistinguishable from our thoughts, revealing emotions, ideas, beliefs we didnât even know we shared.Â
There Will Be Time by Ana Maria Caballero - This poem captures the vertigo I felt in the days leading up to my marriageâŚ
Meanwhile, the life of a published poem is much too short, much too insular. So, I began turning my work into media-rich video poems that I shared on social media. When I read about NFTs, I knew they were the future. Finally, via the blockchain, Iâd found a way of making manifest the value of poetry as art.Â
I purchased the domain for theVERSEverse.com with the idea of creating a gallery devoted to presenting poems as works of art. My plans were accelerated when I was invited to become part of Artchickâs Etherpoems project, a life-changing experience where I learned about NFTs, their culture, Twitter, Discord, community. There, I also met Kalen Iwamoto and Sasha Stiles, with whom I co-founded theVERSEverse.
Overdue Love Letter by Ana Maria Caballero
Can you describe your creative process when writing NFT poems?
The spark of a poem is very important to capture in the moment â while itâs âstill hot.â The heat of inspiration doesnât photocopy. Even if I'm just writing gibberish, that spark, that original energy of the poem survives. So I make sure to jot something down if I feel a poem emerging. I can then spend months, even years, editing the poem into its final form. Once the poem is done, then the process of authoring begins, the process of getting poems out into the published world.Â
Whatâs so incredible about NFTs is that now, instead of spending so much time and energy in getting a poem published, I can turn my poetry into media-rich spoken-word formats and share them directly with an audience. I feel like NFTs have breathed new life into the process not only of writing poetry but also of sharing my work with the world.Â
I am grateful for the creative potential of the spaceâitâs given me the opportunity to collaborate with artists like Ivona Tau, Joelle Snaith, Octavio Irving, Federico Bianchi, and May Toyoâand many more coming.Â
CITY LIFE 2 - Ana Maria Caballero and Ivona Tau collab
What has been your biggest challenge in this new world?
One of my biggest challenges has been learning to say âno.â This is a space full of opportunities, and it is important to pace ourselves in order to enjoy the process and not feel overwhelmed or reach a point of burnout. I confess Iâm still working on this.Â
The Visit by Ana Maria Caballero - I wrote this poem one year after my father's stroke, which devastated my mother. I took on the role of caretaker, not of my father but of my mother--allowing her to lash out as needed. A poem of aggression but also of patient compassion.
Who are your favorite NFT artists?
Impossible to name them all, but a few of my favorites are:
Donât forget to follow Ana Maria Caballero on her Twitter account, website, and poems NFT platform theVERSEverse.com.
Until next time,
- Kaloh
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