Chimerical City

Immersive and Experimental Web3 Serial Semi Fiction NFT Extravaganza.

She was a vision amidst the dimly lit bar, her long black hair cascading down her shoulders as she scanned the room for an empty seat. She had a dark complexion and a body you would die for. She wore a black leather jacket and ripped jeans, with a confidence that hinted at a hidden strength. 

Her eyes met mine for a brief moment before she approached the bar, leaving me feeling like I'd been struck by lightning. In this city of forgotten dreams, she seemed to be a living embodiment of hope, a beacon daring to shine brightly against the despair that surrounded us. The air in 

 had shifted, and I couldn't help but wonder who she was and what brought her here on this bone-chilling night.

This may cause an argument with those that know me, but I am more prone to fucking than fighting, and she was exactly the type of present I would love to unwrap after a day like today.

I haven’t had sex in a few months. My wife of fifteen years decided to cheat on me with a coworker of mine. Things weren’t the best at home and he knew it and saw her out on the town one night and made his move. It only happened once as far I know but she decided we were done and I moved into the basement until I found my own place last month. I wasn’t sure where to place my anger — on him or her? 

About an hour ago, I confronted him about a legitimate work matter that he had fucked up, and we got into a heated argument in front of everyone. I maintained some element of professionalism until he was walking away when he turned and said — “Hey Lane, how’s your wife doing anyway?”

I charged at him, swung, and hit him square on the chin. I never hit anyone that hard in my life. He went down and I jumped on top and lost all sense of self control. I kept hitting him until his face was a bloody mess and I was physically pulled away by a handful of well-conditioned coworkers. My boss came out to see what all the commotion was about and yelled at me to go cool down somewhere and meet him in his office in fifteen minutes. 

Instead, I bolted out the front door and ended up here, having a drink at Molly’s. Looks like I’ll have to wait to see if I get fired. I was out of line for sure, but it felt great and so far, I didn’t regret a thing.

"Hey, man, can I get you anything else?" 

"I'll take another one, and whatever she's having," I replied, my eyes still on the girl.

I mustered up the courage to go over and introduce myself. We hit it off right away, talking about everything from our favorite movies to our childhood memories. Even if I wasn't been completely honest, most of what I told her was true. She was exactly what I needed today. 

"I feel like I've known you forever." She said. 

Before I knew it, the bar was closing and she invited me back to her place for a nightcap. We walked about a block and a half and I let her know how funny it was that I could literally see my apartment from hers. She was right in front of me and I'd never even seen her before. I was sure my job had taken all the fun out of my life.

"We're not alone, my little brother is here too," she warned me as we walked into the well-kept apartment.

This wasn't at all what I had in mind. I wasn't here to meet little brothers. 

I wondered if I'd made the right decision coming here.

Her brother was lying on the couch, looking up at us with a scowl. "Who's this?" he asked, clearly not happy to see me.

"A friend I met at the bar," she replied, offering him a drink. "Lane, meet 

After a few minutes of awkward conversation, she brought out a bottle of Tequila and some other random stuff I wasn't interested in. "You guys want to do some shots and get fucked up?" she asked with a mischievous grin.

I hesitated, I probably should have stayed home. This was not my scene and shots were not my thing. I mean, I used to have a tiny bit of a problem with alcohol and anger management - but now I have enough other addictions that it has been a while since I drank more than one or two good scotch at a time.

I really didn't want to get involved, but the temptation was too great and I didn't want to make anything weirder than it was. She was someone I wanted to get to know better and I shut her down now I might not ever see her again. I agreed and we ended up laughing and chatting late into the night. 

's ideas are just pie in the sky," I said to Pablo. "He's got no real plan, no real way to make the city a better place."

"That's not true," Pablo retorted. "Ted has a vision for a future where the citizens have their freedom and privacy, where they're not constantly being watched and monitored."

"Freedom and privacy?" I laughed. "What good are those if the city is falling apart? With 

's technology and surveillance, we've been able to stamp out crime and keep the citizens safe."

"At what cost?" Pablo shot back. "The citizens are living in fear, always looking over their shoulders. They're not free, they're oppressed."

"They're not oppressed," I said, my tone hardening. "They're protected. And with Faang's technology, we're able to catch criminals and bring them to justice. Your way, all you're doing is making it easier for the criminal element to run rampant in the city."

"That's not true," Pablo said, his voice rising. "Ted's movement is about giving the citizens a voice, giving them a chance to have a say in their own lives. Your technology is just a way for Faang to keep control, to keep the citizens under his thumb."

"And what's so wrong with that?" I spread my arms wide. "Faang has brought stability to the city, prosperity. He's made it a better place for everyone."

"At what cost?" Pablo repeated. "The citizens are living in fear, their every move monitored. That's not a better life, that's just slavery."

I scowled. "You and your kind just don't understand. Faang knows what's best for the city and its citizens. Your ideas will only lead to chaos."

Pablo shook his head. "My kind? Fuck you, man. I understand a thing or two. My parents brought us here for a better life and Ted's movement will bring about real change, and real freedom for the citizens of Chimerical City. And I'll fight for that, no matter what it takes."

My words only served to anger Pablo further, and before I could react, he lunged at me, throwing a punch. I was ready, though, and ducked, dodging the blow and retaliating with a punch of my own. The two of us tumbled across the room, trading blows and grappling with each other as we fought for control. Furniture was knocked over and papers scattered as we fought, our disagreement over the merits of 

's technology turning into a full-blown physical altercation.

Pablo was fueled by his belief in Ted's ideas and fought with a ferocity that surprised me. The sound of our bodies slamming into walls and furniture must have echoed through the building. As the minutes passed, it became clear that neither of us was going to back down, and the fight could only end with someone getting seriously hurt.

"Stop it, both of you! This is ridiculous," Marissa cried out, trying to break us up.

I knew I needed to get out of there, so I grabbed my jacket and headed for the door. I stopped and reluctantly pulled out one of my business cards. 

"I'm sorry. Here, take my number. Maybe I'll see you around." I said.

The next morning, I woke up late and saw I had a voice message from my boss. 

"Need to see you in my office ASAP." I rubbed the sleep from my eyes, my head still pounding from the previous night's events. As I made my way to his office, I couldn't help but think about the girl and how quickly my entire yesterday had gotten out of control.

“And where the fuck have you been?” The Captain said. "You'll be lucky if all you get is suspended."

“No need to suspend me Captain, I quit.”

The Party's Started.

Chimerical City: Episode 2

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Will Professional Rejection Break You, Or Make You?

Professional rejection stings as much as a first-date snub. Whether you were passed up for a promotion, didn't get the job you applied for, or received a negative review from your boss, no one wants to feel the disappointment and confusion of being let down. 

For some of us, getting overlooked for a job or promotion paralyzes us indefinitely; the thought that we weren't good enough is so powerful that it thwarts our potential. And that's an enormous shame. After all – "Failure is simply the opportunity to begin again, this time more intelligently," said Harrison Ford. 

If rejection is something we all face, why do we take it as such a personal blow instead of as an opportunity to grow? Why are we left feeling inadequate and unable to push onward?

Let's delve a little deeper into the psychology of professional rejection and figure out how to cope with it – and hopefully, move on with renewed vigor.

The Science of Rejection – a.k.a, why it freaking 

You might think that professional and social rejections are two different experiences – and in some ways, they are. Being rejected by a love interest affects the relational part of your life, while a job rejection affects your work situation. 

In terms of emotions, though, a lot of the same ones are targeted. 

 that regardless of who rejects you – whether it be an employer, a crush, or a colleague – your brain has similar responses (fear, sadness, anger, defeat). Rejection also activates certain areas of the brain associated with physical pain (like when you stub your toe). 

So, why does this happen? What are the psychological reasons behind our rejection-aversion?

Often, rejection hurts us because we believe it reflects on our worth as people. Dr. Michelle Pizer, an organizational psychologist 

"[We need] to be validated for who we are, just as we are… Rejection tells us that we’re not okay as we are."

When a potential employer emails us to say, "We've unfortunately decided to take things in another direction," our instinct is to wonder what's fundamentally wrong with us. There must be 

 way that we fall short as an individual. 

But, as Dr Pizer says, "...there’s a difference between who you are as a person, and your perceived ability to do a job well." If we could only separate our professional success from our worth as people, we'd stand a better chance. 

But of course, that's not our default. It takes practice and conscious deprogramming to separate our intrinsic value from our success (or lack thereof). 

After the feeling of inadequacy sets in, we feel threatened by our competitors. Who got the job over me? What do they have that I clearly don't? What made them stand out against me?

It's a fallacy, of course, because our rejection isn't irrevocably linked to the person who was chosen instead of us. They could be better suited for this particular job, but it doesn't mean they're a superior human being or that we couldn't do amazing things in other areas.

Still, our perception is often clouded with these irrational threats and ideas – and to us, we need to become the person who was chosen in order to move forward. But that instinct comes from a place of misunderstanding. 

Finally, we realize that the job or promotion we've been drooling over has slipped through our fingers. It's easy to get attached to a particular job and all the possibilities it brings – and when those dreams are dashed, we feel a deep disappointment.

You might've had grand plans of moving to a new city; maybe you read the company reviews and preemptively fell in love with its culture. You might've even felt a calling to the job that transcended a paycheck. 

And when all of those dreams are put on hold, it's hard not to feel a loss. You mourn your expectations, and you can't help but question why things didn't go as planned. 

Our disappointment reflects an idealistic version of the world – one where we always get what we want and where nothing stands in our way. But we have to be resilient enough to accept what isn't meant for us. 

More than that, we have to treat these losses as opportunities rather than setbacks. That's the only way to stay afloat.

Now, hear me out – I know that it sucks to miss out on a job opportunity. I know it's a pain to send application after application. Trust me, I've been there. 

Worse still is when you spend a few futile weeks wondering if you'll get some good news, only to never hear back from the company at all. There's no denying the toll it can all have on your energy and self-esteem. 

But here's the thing: if you aren't ever rejected, it probably means you aren't trying. How can you miss the hoop if you never throw the ball to begin with? How can you come fourth place if you never sign up for the race?

People who face rejection after rejection are – more often than not – the ones who are trying and putting themselves out there. It's a sign of ambition and drive, not failure. You may not be getting the job you want this time around, but each 'no' brings you closer to the 'yes.'

When we get a rejection email in our inbox, it's interesting how our first thoughts are often self-deprecating. We feel inferior. Our confidence plummets. 

But in those moments of humiliation, what if we were to reflect on some of the greatest rejects ever known?

I often think about poor Vincent Van Gogh, who – tragically – 

 during his lifetime. He spent most of his life feeling quite inadequate. But if he hadn't painted his way through the many phases of his life, including the lowest points, the world would never have been able to celebrate his creative genius. 

Then there's Carrie. It's probably one of Stephen King's most famous stories, referenced everywhere and adapted over and over. But what you mightn't know is that the manuscript was rejected – not once, but 

And what about Sir James Dyson? I'd never use a vacuum cleaner that wasn't Dyson these days, and I'm sure you’d agree they're the best in the biz. But Sir James Dyson spent 15 years having his designs fail and be rejected over and over and over again. 

Warren Buffet was rejected from Harvard. Sallie Krawcheck was publicly fired from Citigroup. Tim Ferris sent 'The 4-Hour Workweek' to 25 publishers before being given a chance. Walt Disney, of all people, was told he lacked creativity. 

See? When you suffer a rejection, you're really among the greats. But only if you choose to keep going. 

Guess what? It takes no effort whatsoever to stop trying. That's why some of us end up stuck in a rut after being rejected; it's far easier to stop pushing. 

But if you want the eventual reward – if you want a career worth having and a life worth living – the slow life isn't for you. So how do you beat the rejection blues and keep on going?

There's a very simple way to handle rejection, and it's to change your perception of events. If that employer turned you down, does it really mean that you're inadequate as a human being? Or is it more likely that you just didn't have the experience required for that one very specific role?

And to reframe things even further – you could say, "I'm not good enough for this role!" or you could say, "My skills are much better suited to a different role." Because it's true. Where you're lacking in one area, you're probably overflowing in another. It's just about finding the right fit.

I'm not suggesting that you keep your chin up at all times because it's human nature to feel disappointment and loss. Let yourself be disappointed. Let yourself grieve the loss of something you wanted. 

I know a lot of people who thank their lucky stars for past rejections. Often, repeated rejections push us toward alternative career paths – like freelancing, consulting, and entrepreneurship – that give us more freedom than we ever imagined.

Professional connections who reject you won't always be forthcoming with feedback, but there's nothing wrong with asking for it. You might be surprised at how willing people are to help.

For instance – if an investor shows interest in your company but drops out after seeing your proposal, actively seek out their feedback. What was missing in your pitch? What could you add or subtract from your strategy to give investors a more enticing deal?

Your value as a human being isn't tied to how many job offers you get or how much investor funding you receive. Our professional lives have nothing to do with our innate value. I hate the way that society ties together success and worth, because it's damaging to the self-esteem of so many.

If your professional life feels like your only life, it might be a good time to ask yourself – are you striking a poor balance? It's good to be invested in your work, but don't ever let it become your identity. 

By this, I mean get into the habit of trying again immediately after you fail. Let it be your instinct to move straight from rejection to the next opportunity. 

I often think of a cold water exposure analogy. If you live next to a lake and swim there every morning of your life, diving into the icy depths feels somewhat easy. There's always a slight shock, but you get used to it quickly, and the experience gets easier with each passing day.

If you spend years without immersing yourself in cold waters, though, the shock is far more intense – and if given the option, you'll probably avoid the experience altogether.

Taking professional risks is the same. The impact of rejection always stings a little, but it's much easier to bear if taking the plunge is your habit as opposed to your exception. 

Rejection is a part of life, and it's especially prominent in the professional world. I'm no stranger to it. As an entrepreneur, you face rejection from all sides. But there's so much to be gained from taking the risk and absorbing the blow. 

If I can leave you with anything, it's this: rejection does not need to be a negative. We've made it that way, and we're socialized that way, but it doesn't have to stay that way. Embrace the “no”s and take them for what they are – a sign that you're trying hard enough to make something of yourself.

If you enjoyed this article, I’d love to hear from you. 

 and I'll do my best to get back to everyone!

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Traveling 

Fer Caggiano

mom, artist, curator, mkt & social media manager

Today l would like to discuss virtual galleries and their benefits for NFT artists.

I have had great experiences as an artist (I had sales on several of my virtual receptions) and as a collector (collected after a private tour with the artist in his gallery), and I would love to encourage you to set up your virtual gallery! Or several... I have over 20, between the ones I curate for the community, some with my collection, and a few with my own work.

Before we get started, I would love to share my most recent gallery, a custom design by 

, and this time I actually added my own art. 🤣

If you're not familiar with NFTs, they are digital assets that are verified on a blockchain. NFTs have become increasingly popular in the art world as they provide a new way for artists to monetize their work and reach a global audience.

One way that artists can showcase their work is through virtual galleries. Virtual galleries offer several benefits, including increased accessibility. Unlike physical galleries, 

virtual galleries can be accessed from anywhere worldwide, allowing artists to reach a much larger audience

Virtual galleries are also cost-effective.

 Setting up a physical exhibition can be expensive and time-consuming, but with a virtual gallery, there's no need to worry about logistics or finding a physical space. This can save artists both time and money.

In addition to being cost-effective, virtual galleries also provide an enhanced user experience. 

Visitors can explore the exhibition at their own pace

, view artworks up close, and even interact with the artist. This level of engagement can create a more memorable and meaningful experience for visitors.

. Virtual galleries provide a direct link between the artist and the buyer by eliminating intermediaries such as galleries or auction houses. This can result in increased revenue for the artist.

. They can showcase a wide variety of art forms, including 3D and multimedia works, which may be difficult to display in a physical gallery.

There are several platforms and metaverses to have your gallery at. I use 

Multidisciplinary, but I have a special connection with 3d and Neo-expressionism, both traditional and digital.

My entire life. Art has always been a release for me and a way of expressing myself.

Escape - I know that sounds strange but growing up extremely poor in an abusive home, art became my escape. It was something I had that allowed me to forget who I was and imagine a better life.

NFTs were a natural progression for me in 2021. I had been involved in the crypto world for many years leading up to it. It gave me a path to incorporate two things I love -technology and art.

My creative process is ever changing. Doing digital art usually involves lots of coffee and many hours in front of the computer. Traditional art is more sporadic for me. There are moments I feel inspired and have to put something down on canvas or paper. I have a very artistic household where I try to encourage creating for my children and involve them in as many processes as possible. If you can incorporate your family into the creative process, you don't take time away from either for the other.

Yes and no. The process and styles are the same, but it has allowed me to create more frequently and explore subjects that I probably wouldn't have explored otherwise.

It was the first mint I did of a traditional painting in which my wife was my muse. 

https: /foundation.app/@peng1.eth/pop-05a9/6

I currently have a drop on Foundation that will include 10 works when finished. "Techno-Expressionist Visions" is a very personal collection depicting the struggles and complexities of the human condition.

Well, there are so many. For starters, Irina @Ambi_eth She has a will like nobody I've ever met. Doing art to survive after escaping Ukraine and raising children alone. One of the strongest women I've ever met. Ella @bright_lightart always a professional with an intense passion, and creativity. David @dpoxley as a techie, I am inspired by his work incorporating technology into his artwork. and you yourself Fer you have a love for art that is unmatched and it shows in everything you do. There are so many others I would love to mention, but I would be here a while. The level of talent that I draw inspiration from in this space is astounding.

If we are talking dream collabs, it would definitely be Xcopy

This is where many would say the future, but I already plan to visit that tomorrow. I would start off at The Curtain Theater -1595 to see the first-ever performance of Shakespeare's Romeo and Juliet. From there, I'd go to 21st century bc and visit the Sumerians. Where it all began.

Respect and appreciate everyone. We don't know their personal struggles or where they have been. Life is hard enough without having to deal with dicks. Don't be a dick!

, and we have big news to share with the community. We are launching 

If you find my newsletters useful, please share them with friends and subscribe.

There are currently no sponsors for my newsletters. You can support me by collecting my art or the artists I curate.

Fer Caggiano | Twitter, Instagram | Linktree

 0x45f2c26f912a8B18dC2982CfDBd720e73A83789E

 0x2b0c696f3f26BF00207D14E47395576cB5625515

Are you ready to present yourself to the world?

Virtual Galleries

Andrey Didovskiy

💎 Digital Asset Investor 🧙‍♂️ Crypto Content Wizard Laser focused on bringing incredible applications to Life 🌟

The arrival of cryptocurrency into the public domain has sparked the next chapter of economic evolution for mankind. Touted by the world's most prominent technologists and financiers as the frontier for global economic transformation, tokenomics has become the focal point of financial innovation.

Stemming from computer science and acting as vehicles that capture arbitrary, abstract forms of value, tokens are essentially tools that facilitate the accounting, storage, and exchange of information.

Economics are the physics of finance; models that quantify the behavioral and monetary relationships of human activity.

Bringing these two concepts together can supercharge society, however, when amplified by the open, decentralized nature of crypto/blockchain, the level of exploration achieves exponential proportions.

While it has been a blessing and truly given the concept of equal opportunity a radical new meaning, tokenomics have invited malicious and inexperienced market participants into the fray.

Delusioned by visions of extremist grandeur that will tear down governments and “decentralize everything” Memecoins, degens, and everything in between have imposed a distorted perception of value.

It is mindboggling how many downright stupid projects have been able to garner attention with shady, manipulative marketing tactics while having absolutely nonsensical vaporware token models with no purpose besides gambling.

Tokenomics alone do not define a quality project, there must be strong visions, a realistic sense of technological capabilities, adequate teams, and a problem that can be (should be) solved.

However, tokenomics do serve as a powerful proxy through which we can ascertain the depth of a project’s thinking and connection to reality.

With years under our belts and billions of dollars in scams and fraud destroying people's life savings, it is hard to believe how so many projects do not comprehend what real, good tokenomics implies.

To be fair, poor tokenomics does not only apply to scams. There are cases with phenomenal teams, great tech, and strong visions failing due to lackluster tokenomic designs.

There is no universal model for “correct” tokenomics, tokenomics must be designed to intimately serve a purpose for its specific application/use case.

There are three major elements that tokenomics addresses; all of them are equally important in their own way. The absence of any of these is a red flag for a crypto project:

When people hear tokenomics they start looking for charts about the assets allocations and funding rounds. This alone is so shallow and nearly impossible to properly quantify.

If a project is “fully decentralized”, meaning deployed with no pre-mine or team to push for its development, then this portion doesn't even apply.

Allocation and distribution give insight into the potential centralization of economic power within a project. The beauty and elegance in this portion relates to a balanced understanding of where supply belongs.

Here we find so much misconception among novice market participants suffering to understand where tokens should be deployed to.

At the most basic level, there are 8 segments to which tokens can be allocated:

*** These are rudimentary percentage allocations to just express a basic idea.

Market making must have a sizeable portion of the supply.

Listing across many different venues requires having tokens to provide them for opening markets. If the supply of tokens on exchanges is small then the price is subject to violent swings in price. However, even if a lot of supply is on exchanges, over the course of time as people enter a market they will be able to increase the decentralization of the token (how many holders) and still drive the price up.

Some mechanisms to reward users and bootstrap the application.

Fundamental for getting some economic activity moving and bolstering adoption in the early phases of the project.

Layer 1 blockchains implement this as block rewards that ultimately add tokens into circulation through the network operator's contributions.

DEFI protocols for lending/DEX might provide bonus APY in the form of their token in order to attract some liquidity.

This only applies to capped supply projects! Some cryptos might even have perpetual inflation (Dogecoin) that cannot be quantified into this model. (FYI, there is no team/dev allocation in DOGE).

Incentives for the hard work and risk to build a project.

Skin in the game for the project creators is important to align their actions with the maximum potential qualitative development of the product.

Ideally, 5% is perfect; however, the larger the team the larger the allocation might be acceptable. I already consider 10% to be very generous, but there are cases with projects allocating >20% to their teams. I personally consider this a red flag and do not/will not invest in any such projects.

A high level of decentralization in distribution at an early stage of a project is a red flag. This results in masses of people that are hard to coordinate and will result in chaotic selloffs that can drive users/investors away from a project before it even has a chance to develop properly.

High levels of distribution to early investors shows laziness on behalf of the project’s founding team and attempts at just attracting fundraising, without too much care for being decentralized. 

(nothing wrong with this, there are very successful examples of VC-driven projects that are alive and well).

Key opinion leaders and external professionals to act as ambassadors.

Advisor allocations are important for attracting influential people to a project. These individuals help build brand recognition, promote the project, and help with a slew of problems.

Advisors are like external team members, therefore these allocations must have some kind of vesting schedule.

Crypto is all about cooperative competition. Building partnerships is quintessential for accelerating the presence of a project, its technological capabilities, and cross-pollinating communities.

Engagement from a crypto project’s community of retail investors or just believers is priceless. There should be a least some portion of the supply allocated to reward them for supporting the social activities necessary to push the project forward.

(ex. having a social media campaign for Tweeting or making memes)

The Decentralized Autonomous Organizations Treasury.

Not required if a project will be centralized, but if there is a DAO in its roadmap then it should have some portion of tokens allocated to its treasury. By doing so, the community will be incentivized to work together and coordinate how to utilize these funds at a later date.

Technical fundamentals about the asset itself.

This is so basic and fundamental that not being able to find this in a tokenomic section of a project should be an immediate tell of a lack of attention to detail and a sign to stay away.

This is the factor that distinguishes true crypto-projects from wannabes.

A token should capture the delta of value between the service it provides and the solution it solves.

The trick art the art of good tokenomics exists at the intersection of the application and how the token relates to it.

Generally speaking, there are three grades of a tokens relationship to its network project:

None means that there is no tie between a platform and the asset they are issuing. This is lazy construction that has no respect for its end users. Tokens are just waste emitted in order to satisfy the founder's desire to be important in some way.

Chimerical City: Episode 2

Will Professional Rejection Break You, Or Make You?

Traveling

Virtual Galleries

Talking Tokenomics

What is WorldCoin?

The On-Chain Poetry Digest #6

GCR Deal Update (Week of May 22, 2023)

What do you stand for?

The Ultimate Ordinals/BRC-20 Directory

Chimerical City: Episode 2

Will Professional Rejection Break You, Or Make You?

Traveling

Virtual Galleries

Talking Tokenomics

What is WorldCoin?

The On-Chain Poetry Digest #6

GCR Deal Update (Week of May 22, 2023)

What do you stand for?

The Ultimate Ordinals/BRC-20 Directory

GCR Deal Update (Week of May 22, 2023)