The Write3 Newsletter

I sit at the intersection of writing & web3.  A space I call Write3.  Each week, I deliver 1 tip for writers, 1 Write3 opportunity & 1 literary NFT worth collecting. 

A question I often receive: "What's the difference between Mirror and Paragraph".  I'm working on a long-form piece that explores the similarities and differences in depth, I'd like give you a quick overview for today's newsletter:

 - Is like a web3 Substack.  It excels in offering users a great newsletter platform, while also offering web3 tools.  Highlights include: 

 - Is like a web3 Medium.  It excels in offering users a blogging platform that turns your writing into NFTs.  Highlights include: 

• Web3 Brand Awareness (companies like Optimism, Coinbase and Zerion use the platform)

• Embed & Mint NFTs Directly In Your Post 

Both platforms enable the creation of writing NFTs on Layer 2 blockchains - with Paragraph operating on Polygon and Mirror on Optimism. This feature makes the process of acquiring NFTs cost-effective and efficient, aspects I've discovered to be crucial in the creation and selling process.

I love both platforms and will continue to create and explore on each!

I want to bring your attention to a writing contest being hosted by Temple, my go-to Tezos wallet. This contest is particularly exciting because it's for the writing NFT platform, FxText, which I love. I don't discuss FxText frequently, but it stands as a strong competitor alongside platforms like Mirror and Paragraph, especially considering how it utilizes the cheap & efficient Tezos blockchain.

I receive numerous invitations to participate in various writing contests and contribution platforms. However, it's rare for me to accept these offers. This contest by FxText is an exception. Why? Because I genuinely appreciate FxHash, the parent company of FxText, and I'm passionate about writing NFTs. Without a doubt, I'll be participating in this contest!

If you'd like to enter as well, join us in the 

, I'll be creating a sub-server dedicated to the contest.  Learn more here 👇🏻

1/4

Are you a writer in the @tezos community?

 Here's your chance to win awesome prizes!  

Temple Wallet × @fx_hash_  are proud to launch Web3 Writers, an article contest with the following rules: 👇 https://t.co/q6CwbZh0Zb

3. A Literary NFT Worth Collecting - FxHash Poetry NFTs

Speaking of FxHash, several of my favorite literary NFTs were created on that platform.  A few of my favorites:

 - Sasha Stiles & Nathaniel Stern - Fun fact:  The audio of my Binary Ode was the intro/outro track for Write3 Podcast.

**Reminder:  Collectors of today's newsletter will mint this piece of Write3 art.  Thank you for your support of my writing. It's patrons like you who allow me to continue doing what I love! Happy Collecting! 

For more Write3 content, be sure to check out my socials -->> 

Interested in sponsoring the Write3 Newsletter?  Email me at 

Plus, answers to a common web3 publishing question

Enter A Writing Contest

NFTTALKS.NFT

At NFTtalks, we are dedicated to delving deep into the world of NFTs, covering all types of artists and projects. Our mission is to bring you exclusive interviews and insights from the minds behind these revolutionary works, as well as informative content about the NFT ecosystem

ARE YOU READY TO BLAST OFF TO MARS WITH THE BRAINY BUDZ CREW? 

Mints are going crazy 

Looks like we'll be sold out very soon

Stand by for our MINT OUT CELEBRATION twitter space, we'll be announcing on Twitter and Discord soon https://t.co/CsonLV9bVa

8,420 NFTS MINTED IN JUST 9 DAYS, THIS COLLECTION IS SKYROCKETING TO BLUE-CHIP STATUS IN THE NFT WORLD. 

Exciting news! #Brainybudz has officially minted out! With a collection of 8,420 unique 3D budz with a ton of unique traits, there's something for everyone. Get yours now and join the Brainybudz community 🌱🧠 

Exciting news coming soon…
#purplewave #mintout
@0xpurplewaves

After being asked about the impressive success of their NFT collection and the factors that drove the organic hype, the Brainy Budz team responded with the following:

🚨GAME. SET. MATCH. 

8,420 @BrainyBudz420 Minted Out In 9 Days.🥳🍾

No Paid Shillers.😲

Can You Say INSTANT BLUE CHIP?🤩

Don’t say I didn’t warn u, Degen!🫣

✅FOMO ACHIEVMENT UNLOCK💪

Forget The Moon… Brainy Budz is ROCKETING 2 Mars 🔥🚀

#IYRYR 💜 #LFR #MATIC https://t.co/F6xe1xxYHL

If you enjoyed my Blog Content and Would like to contribute towards its support, you can collect this article as an NFT.

With Brainy Budz, get ready for the ultimate high times in the NFT universe.

 GET HIGH ON BRAINY BUDZ

Fer Caggiano

mom, artist, curator, mkt & social media manager

I received a lot of requests to share information on how to price your NFTs, so here we go!

consider how much you need to make a living and break that down into working hours. Then, determine if your art is at the point where you can charge enough to make a living off of it while also considering that sales are not guaranteed. The cost of materials is also an essential factor to consider, and for more elaborate pieces, the value of the extra time put into it.

When pricing your NFTs, it's essential to think about a few things like rarity, demand, provenance, and the artist's reputation. This is similar to traditional art pricing, except your costs are slightly different. Instead of supplies, you have to take into account transaction fees.

 can significantly impact the price of an original painting. An established and well-known artist may command a higher price than a relatively unknown artist.

 is an important factor to consider when determining the price. Larger pieces cost more to create.

 used to create the painting can also influence its price. It depends on the costs and how much knowledge it takes.

 spent creating the painting. This includes the artist's time and labor, as well as any expenses related to studio space, materials, and other overhead costs.

·      The price of an NFT is based on slightly different factors, like 

 it is and how much people think it's worth. (FOMO plays a massive role in NFTs)

: how much time and resources you have put into creating your NFT.

 are associated with selling an NFT. Between gas fees and platform fees, it can get costly.

Now I'll share with you how I went about pricing my NFTs and how it's developed in almost two years. Remember that crypto fluctuates a lot, so it is even harder to use your cost of living to calculate your numbers.

It can be challenging to price NFTs when you're new to the market. Despite having over 20 years of experience as an artist with impressive accomplishments (I can't be modest as I am trying to make a point), I positioned myself as a newcomer to the NFT world after failing miserably on my first attempt trying to price according to my IRL experience.

So, back to square 1, I launched a collection of 33 pieces, dropping four at a time and increasing the value with each drop. The first drop was at $ETH 0.03, and the last reached 0.21 (the collection took a few months, but it got sold out)

This strategy helped me establish a value my audience was willing to pay.

After establishing my floor (base price on your listings), I launched new collections with 0.25 as my reserve. With the bear market stretching so long, I had to pull back to 0.15 just to see some movement. You may also want to consider editions, and you can find more info in my previous newsletter.

If you plan on offering a bundle with a physical piece, you'll need to consider the costs of the physical piece and add it to the equation. While most collectors don't care about physical art, there is a market for it.

It's important to remember that the crypto market is volatile, and it's wise to have another source of income.

Overall, the pricing of art is subjective, but I hope with the information I shared here, you can find the right numbers to start listing your work.

My name is Victor, and I'm a photographer from Rio de Janeiro, Brazil.

I have 100 ideas, 90 suck, 5 are impossible, 3 sounded good but really weren't, I finish 2 and only 1 is really amazing.

Offered me a place to create regardless of social media standards

https://foundation.app/@vvribeiro/foundation/130633

My current photojournalistic series: A Body, A Dream, A Regret

A Body, A Dream, A Regret. What is it and why does it matter?

A thread. https://t.co/e7CFbCNbuq

The current state of the solar system before the travel of Jupiter, to see if there was a society before

Thank you all for reading! And I invite you to view my first curated World on Foundation: Brazil. I care about the quality of the art and also about the humans behind it. I vouch for each of them.

The first sale went to the legend Cozomo de' Medici!

When pricing your NFTs, it's essential to consider various factors such as rarity, provenance, demand, and the artist's reputation. 

How to price your NFTs

is a masterful NFT artist with a passion for the occult and a keen eye for design. Through his stunning collections of TarotCards.nft and VoodooDoll.x, he brings the mystical and the macabre to life, creating unique and unforgettable pieces of digital art that are sure to capture the imagination of all who see them. With a background in industrial design and 3D-animation, Johan is a true visionary, constantly pushing the boundaries of what is possible in the world of NFTs.

I was born in Sweden, I’ve been working as an Industrial Designer/Product Developer for 10 years and also worked with 3D-animation for commercials and product presentations. I have a great interest in many subjects beside design and engineering, such as art, philosophy, history, psychology, astronomy and much more. Always had a particular fascination with the occult, the hidden and the unknown. About 1.5 years ago I quit my job as an Industrial Designer and moved to Tbilisi, Georgia to work on my own NFT/Web3-projects and find a better strategic place to live in this ever-changing world of ours.

I first got into crypto in February 2018 as I finally understood that this is revolutionary technology and it’s something that is important to understand. Later in the spring of 2019 I heard about 

 and I got into it head first. Even back in the day when they only had .zil it boggled my mind thinking of the possibilities these domains one day may provide. So much development has happened since then. These were the only NFTs that really interested me for a long time and it was only later in 2020 that I started to plan some of my own NFT-projects. At long last in January of 2022, I began working on some of the projects.  

I had a few NFT-art projects I wanted to create so I bought domains for them early on. TarotCards.nft is 78, 1/1 pieces, 

 and I have three more versions of NFT-Tarot Decks in the plans. Since there’s only a limited number of cards in a deck, I found it to be perfect for a small scale NFT-collection. It was very fun and creative to design and figure out how each and every card would look and what the symbolic meaning behind each one would be. I’m looking forward to see how the Crypto Gods of the Tarot can help people navigate the Bear-Market. (Not financial advice!)

 project first came to mind in 2021 as a collection of 

. I was inspired to make it as I had read a lot of occult history and the idea of making a diverse collection of sinister little dolls was intriguing to me. I waited with the project as I expected it to take many years to complete that many art pieces of the dolls, but in the summer Midjourney was released and I finally found a way to bring the project into reality in a more reasonable time frame. It took about 2 months and many hundreds of failed attempts to get the right style and quality that I was after. Finally on Halloween of 2022 I launched it. The story of the VoodooDoll.x project is that each and every one of the Voodoo Dolls have gained sentience from the energy of channeled through them by a dark magician. They rebel against their master as they no longer want to be a tool of torment. Little heroes that want to fight back against evil. They all come from a different place on the planet, different cultures and different times through out history. In the 

 Universe there is Voodoo Dolls from every place where occult dark forces linger. The story of the Voodoo Dolls is still developing and dolls are still being minted so the collection is not yet complete.

, I’ve always found the Tarot fascinating as a phenomenon even though I have not used it very often in practice. I wanted to make the first complete and unique crypto inspired Tarot Deck and put it on the blockchain. With a limited number of 78 pieces, it becomes a nice exclusive collection. There is also a physical deck in the plans and all owners of a card will have the chance to get a deck sent to them in the mail. Owning a card will also give the owner access to the whole deck on the project website and be able to ask questions to the Crypto Gods and get answers from the deck. More editions of the deck are also in the plans and owning a card from the original deck gives a chance to win cards in the later decks.

 project took a long time. I wanted each card to have the art style the classical deck Pamela Colman Smith made in 1909, giving it that timeless feel. I first sketched out each and everyone of the 78 cards on paper and wrote down a description of the colors and particular details I wanted to be included. Having the classical deck as a base I then changed the meaning of the cards so that they became more inline with the crypto space. Pentacles was changed to Bitcoin Coins and Wands became Spears with Etherium tips. Some of the cards may seem totally different from the original Tarot Deck but there is always a symbolic similarity. I then minted them on the Polygon blockchain when they were all finished. I’m very pleased with how the deck turned out and it’s fun to see the response from people.  

 project is a larger project in scale since it has 667 NFTs. The process of making them is also quite a bit different than the other project. There are some things all the Voodoo Dolls have in common and then there is some big differences. Every doll is marked with an X somewhere on their body. The X is put there by the evil magician who created them and it acts as a failsafe. Striking the 

 kills the targeted person and the doll in this story. Sometimes the X is in clear view and other times it can be a bit more obscure. I wanted all of them should have a look of being alive in some way or have an eerie feeling about them. It’s creative to figure out different styles for the Voodoo Dolls. Some are classical Voodoo Dolls from Haiti, others come from deep in the Amazon jungle and the recent batch of dolls have a joker/clown theme. I make the Voodoo Dolls about 60-70% in Midjourney and then the rest in Photoshop to give them that extra touch of madness that can’t be generated. 

It’s more work than most people imagine

. Then I find a unique location for each doll and add in and other metadata to the Voodoo Doll before I mint them on Polygon.

The TarotCards.nft project is releasing 2 cards on the market each week and 1 card is airdropped to followers of 

 on twitter. When enough of the cards have been sold a physical deck will be made and sent out to each of the card owners. Then later this year and next year new editions of the deck will be released with other themes. 

The Light Deck, The Dark Deck and the X Deck.

 project will continue to mint new dolls until the number 667 is reached later this year. So far 454 out of 667 Dolls are on the blockchain. Stories for each doll is in the works and later and Art Book and games that will be accessed by owning a Voodoo Doll in the collection like mentioned earlier. There will also be more NFTs coming for the VoodooDoll.x Universe beyond the 667 dolls. Other characters and creatures that add to the existing world. Best way to find out what is to come is to follow 

 on Twitter and own one of the Voodoo Dolls. 50% of all the dolls are being airdropped and the rest is put out on the market on 

. It’s a thrill to see the project grow.  

🙏🏻 If you enjoyed my blog content and would like to contribute towards its support, you can 

An Interview With The Creative Mind Behind Voodoodollx Rebellion NFT Project

POYHONEN TALKS

papajams.eth

Blockchain powered culture, community & art in the big apple

Preview: NFT NYC 2023

Sofia Crespo is known for her innovative work exploring the intersection of nature and technology. Her work explores the intersection of biology-inspired technologies and creative expression, delving into the ways in which organic life uses artificial mechanisms to simulate and evolve. As a co-founder of Entangled Others Studio and member of the Sovereign Nature Initiative, Crespo is deeply invested in re-conceptualizing the relationship between ecology, economy, and emerging technologies.

Her unique perspective on the role of AI in artistic practice and her focus on the relationship between organic life and artificial mechanisms have earned her recognition and acclaim. Crespo’s work has been featured in major publications and exhibited at prestigious venues such as Art Basel, Vellum LA Gallery, and the LA Public Library. She has also been recognized by the New York Times, STIR World, and Trebuchet Magazine. Withh her works on display across a diversity of spaces from on outdoor billboards at Wilton Park Dublin, to her recent 

TED talk exploring AI-generated creatures

 that stretch the boundaries of imagination. 

With her unique perspective and innovative approach, Crespo is pushing the boundaries of what is possible in the realm of art and technology.

'Submerged stories 4532' 🌊 

@soficrespo91 creates striking works which seek to capture the way in which generative lifeforms manifest themselves into the digital art space. 🪸 https://t.co/9XEu5rTuqd

A friend of mine got me once, as a birthday present, a ticket for a workshop on AI Art led by Gene Kogan, after going to this workshop I really became fascinated by all the possibilities and that led me to want to learn more, so I signed up for a longer workshop led by him, at the School of Machines in Berlin.

Diving tends to help with my creative blocks, if I could, I would do it daily! Other things that help are stepping away from the computer and engaging with what personally inspires me, but it is important to remember this takes time and patience, it’s not something I can switch on and off on command.

For collaborating with others I believe communication is the most important, not assuming one’s own priorities are shared by the other person, opening space to listening to what is important to them. Art can be deeply personal, so making room for their artistic journey is important. Sometimes it’s also equally important to see when something doesn’t work and to just accept that without holding resentments.

I am happy to have had the chance of being a part of it, especially because I got to participate with two people that have been very meaningful to me, Ix Shells & Sofia Garcia.

It’s basically the idea that as we automate generation and as people ask if artists will be replaced by machines, we could equally ask if the art consumer will be replaced by machines too. This isn’t something I invented, artist Alex Reben has been exploring this already with his robots. I love the idea of automating the consumption of art because it forces us to ask ourselves why we engage with what we engage and to see ourselves from an external perspective where everything can ultimately be automated, even if that defeats the goal of the original task.

"My favorite NFT I’ve collected this year is @soficrespo91's 'Desiccation Bloom,' the feature piece in her first solo exhibition at Vellum LA," says Metaversal investment analyst, @JamesonMah. https://t.co/qhvy0xP8D4

My mom wrote an essay on ecofeminism back in 1999 in which she argued that climate change and gender discrimination are inherently connected. She has been a huge inspiration as she taught me not just about issues that were happening i.e. companies polluting large natural areas, but also how to think about a problem of responsibility, and how to break it down into pieces to understand it. Looking back she’s the person who shaped my logical thinking the most, and although I never became a scientist, my admiration and respect for science. She also taught me that I should strive to fight for the things I believe in, and sometimes that process of fighting can take many different shapes, sometimes it can mean learning, other times it can even mean making art.

It’s a book project that I’m hoping to release at some point, as a gathering of all the works in that series (Artificial Natural History), which has directly been inspired by natural history archives. It’s worth pointing out that I’m taking my sweet time to do it because I think it deserves a high level of care and attention to detail, I don’t like rushing projects that are very meaningful to me.

Speaking of AI art, @soficrespo91's work explores the intersection of nature and technology and has been exhibited at @ArtBasel , @LAPublicLibrary , and more. Undoubtedly, one of my favorites of the year, "{fireflies of the {ocean} deep}". https://t.co/35c9ULY3sW

Leading Women in Web3 Interview Series

FemGen — A Conversation With Sofia Crespo

jelca thinks

about mostly fintech, crypto, and other tech-related stuff, but is obsessed with her Westie, murasaki potatoes, her pufferfish, pummelos, oreo ice cream, and cooking.

Bicycle in a Garden

Platformless

A weekly newsletter educating creators and brands on how to succeed in web3.

gm to everyone except people perpetrating injustice in the world.

Last week, I witnessed the worst Nigerian elections in my lifetime.

It was the farthest thing from free, fair, or credible. I’ve never felt more cheated.

As a result, I couldn't find any inspiration to write this letter last week. For that, I'd like to sincerely apologize. 🙏

To my fellow Nigerians, keep your heads up!

In web3, we mostly hear about amazing creators like 

Similarly, there's good coverage of the collectors who support these artists by collecting their NFTs.

Do you know who we don't hear much about? 

In the traditional art scene, they’re much more pronounced. Companies like 

 play very important roles in highlighting the world's best artworks.

As the crypto art space develops, discovery will become very essential and curators will have the important job of tastemaking.

ʟɪᴠᴇ ɴᴏᴡ 
Worlds. A web3-native curation tool.

⊚ Curators invite sellers.
⊚ Sellers list NFTs they own.
⊚ Both earn ETH on sales.

🌐 Build your world.
↳ https://t.co/4VwN1lVYfU https://t.co/Anive7RtzZ

 team introduced “Worlds” on January 10th, 2023.

Since then, a lot of curators have used the tool to build on-chain curation businesses.

Here's all you need to know about Worlds.

Worlds is a web3-native tool that allows anyone to curate an on-chain exhibition, list NFTs from multiple sellers, and share in the profits.

Although it’s primarily a curation tool, creators and collectors also stand to benefit from it.

Hopefully, I've been able to sell you the importance of curation and the awesomeness of Worlds.

If you need more convincing, here's why you should launch your own World:

I can't stress this enough. Unless you're going to enjoy building and growing your World, you might be better off without it.

It's super easy to set up your own NFT exhibition with Worlds.

Here's how to create one in only 3 steps.

Connect your preferred Ethereum wallet from the available options e.g. MetaMask.

Sign an off-chain message (no gas fees) to verify ownership of your wallet.

After connecting your wallet, click “Create” in the navigation bar.

Then, select the “World” option and click “Create +”.

You will now be redirected to a page where you can enter some details about your World.

Enter the name of your World, set your curation fee, and add up to 100 sellers.

Review all the details and click “Save on-chain” to create your World.

You will need to confirm this transaction in your wallet and pay a small gas fee.

Your brand new World has been created on-chain. 🎉

If you wish to learn more, check out these resources:

Best Practices To Build A Successful World

It's not enough to simply create a World and hope for the best.

As with every business, you need to be intentional about making it successful.

Here are some best practices you can apply:

Fortunately, many curators are already on their way to building successful Worlds.

At the same time, not everyone has the resources to collect premium artworks.

Curation presents an opportunity for anyone to participate.

With web3 tools like Worlds, it's even 10X easier.

Did you enjoy this post? If yes, kindly forward it to a friend or fellow creative. It only takes 10 seconds. 🙏

Also, if you’re new to Platformless, please subscribe to receive new posts. I’m so happy to have you!

 — A weekly newsletter sharing insights and guides for web3 creators and brands. He also consults with projects building web3 products and experiences.

Platformless is strictly educational. Nothing I share will ever be financial or investment advice. No content will be sponsored unless otherwise stated.

A simple guide on how to host a virtual NFT exhibition with Worlds by Foundation

Platformless 005: Launch A Virtual Art Gallery With Worlds

teleyinex.eth

I've been a web3 developer for some time, especially with the OBEY crew. I've created the backend, the front end, and the smart contract, but I have never launched my collection.

For a long time, this has been something in the back of my mind, but I never had the time or the idea (even though I've been playing a lot with crazy ideas).

Through this journey, I created in Christmas 2022 two web apps that allowed me to do some simple tasks: (a) an app to get 

 easily (without having to connect your wallet and more importantly sharing JPGs, GIFs, and SVGs, from one place).

When I created both, I found the Nabla web font. This font is special because it allows you to create an isometric font in COLRv1 format. And what does it mean? Well, it means you can use CSS with the font to create awesome effects that cannot be done with other fonts, like changing the depth and highlighting.

While this is really cool, not all browsers support it, but as most browsers are built on top of WebKit, most of them support COLRv1 and, therefore, can render these features within the browser.

I used this font for both previous web apps, and while playing with it, I had the idea of creating a dynamic NFT that could use each letter in lowercase from the alphabet using this font. Why this font? Because I could change the depth of it dynamically, so I could make it breathe. While most letters can change size and weight, only a few can change their depth, and Nabla was there for me.

My first experiment was just a simple letter with some CSS that would change its depth of it. That worked out, so my next obvious step was to create a script that would allow me to use that HTML as a template to fill in the gaps for each letter and render them easily running one command.

My preferred programming language is Python, so I hacked a very simple script that read the HTML template and made some substitutions for me: the alphabet letters. I wanted to keep everything as simple as possible, so instead of using a templating system or library, I created my own :-)

Jinja2 heavily inspires the templating solution, so I used {{}} to replace the code where I wanted. The next step was randomly choosing beautiful color palettes, so my script could use them and feed them into the template. For this case, I used the seaborn python library, as it has some beautifully made color palettes that I could easily use with the letters.

The color palettes can be transformed into hexadecimal colors, and that was perfect because Nabla font can have up to 9 colors to create gradients within the font. This was awesome because I could randomly choose a color palette, then reduce it to 9 colors and feed them to the template's CSS, so the letters could be rendered using those colors. Moreover, I could inject them as variables and use them later within the CSS to have a consistent color palette for the NFT.

With all this solved, it was time to make the NFT dynamic. As the letters could breathe, I wanted to give them some personality. I realized that nowadays, people get stressed out in crypto, and my breathing letters could help them relax. But how? Following the well-known breathing exercise: 4:4:4:4. You inhale for 4 seconds, hold for 4 seconds, exhale for 4 seconds, and hold for another 4 seconds. Repeat several times, and your body and mind will be more relaxed.

At this point, I had a breathing letter you could use as a relaxing buddy, but I felt something was missing: the background was empty. Nothing was there. Hence, I thought that the thing that people stress out in web3 is the price of Eth, so I wanted to reflect in the background on how that worked out.

The template had a small Js file that checks the ETH price from today and compares it with yesterday. If the price is mostly the same, it will not do anything, but if the price has gone up, the background will move up, while if it goes down, the background will go down.

The background is created randomly again using some python functions: it creates circles and squares of different sizes. Additionally, I wanted to place them in different places. A simple solution was to use the default python random methods, but it was insufficient, so I decided to use a 

 JS function to locate them, bringing a more natural feeling to the locations and how they will be moving.

The result? Well, this beautiful animated letters:

We're ready to launch!!! The first 3 letters will be listed in @opensea for a price of 0.0069ETH

Learn to relax your mind using the 4:4:4:4 breathing exercise with a breathing letter while you watch how the ETH price goes up or down. Having a calm mind is critical these days. https://t.co/VC6EoO8PjK

With the script ready to create any letter with any color palette, I was ready to launch it. But I found a problem: none of the available no-code tools allowed me to deploy them easily. I ended up using Manifold because it is easy to use, but I have to mint each letter one by one (with the associated cost, as batch minting is not available for dynamic NFTs). I cannot have a claim page either because dynamic NFTs are not supported, so the only solution left is to deploy to the main net and then list each token on OpenSea or Blur so people can buy it. 

Is it perfect? No, but it will work out :-) As you have read in the previous tweet, the price will be for one letter 0.0069ETH (~10 USD) in this first batch of 3 letters: a, b, and c.

You can check the available letters here: 

https://opensea.io/collection/breathing-letters

, and if you like them, get one! I'll be listing the available ones tomorrow, Monday 6th of March, and hopefully, someone will get one :-)

There will be all the English alphabet plus a ñ as I'm from Spain. Each letter will have its distribution based on its frequency in English. I just released the first three letters as I think they are the most well-known ones.

All the NFTs have been saved in Arweave (using 

). Why Arweave and not IPFs? Well, I wanted to learn Arweave, and all I can say is that I might never use IPFS again. The simplicity and fast serving stuff is a winning point over IFPS (also not needing any gateway).

Thanks for reading until here! Let me know if you like it.

A dynamic NFT collection for relaxing your mind

Breathing Letters

yuaeyin

Novelist's main blog. Read my free fictions here!

Haas was a wanderer counselor who had roamed the earth for many years, helping people in need wherever he went. He had seen the best and worst of humanity, but he always believed that people could be better, and he did his best to help them realize their potential

Haas had been wandering through the city for a few days, doing what he did best: offering advice and comfort to those who needed it. But he was starting to feel a bit discouraged. It seemed like no matter where he went, he couldn't make much money from his counseling work. He was barely making enough to survive.

He thought about leaving the city and moving on to the next place. But then he noticed a young woman sitting alone on a bench, looking sad and lost.

He could see that she was struggling with something, and he decided to approach her.

"Hello there," he said, smiling warmly. "Is everything okay?"

The young woman looked up at him, surprised. "Oh, hi," she replied. "I'm fine, I guess. I'm just feeling a little down today."

Haas nodded, taking a seat next to her on the bench. "I'm sorry to hear that. Would you like to talk about it?"

"I'm not buying anything." She seemed wary of him.

"I'm a counselor." Haas said. "And I was about to leave the city. It's sad, I know. But I want to help at least one person before I leave."