This article is part of my first written assignment for the Executive Masters in Art Market Studies 2023-25 in the University of Zurich and eventually will be incorporated in my final thesis. Writing about digital artists was born out of arguments with lecturers (not going to name any names) and the need to shed light on artists whose work escapes the narrow confines of the majority of NFT criticism. The first artist to release is Sam Spratt. I had the honor to meet Sam briefly in Venice duri...

This article is part of my first written assignment for the Executive Masters in Art Market Studies 2023-25 in the University of Zurich and eventually will be incorporated in my final thesis. Writing about digital artists was born out of arguments with lecturers (not going to name any names) and the need to shed light on artists whose work escapes the narrow confines of the majority of NFT criticism. The second artist to release is Osinachi (see first). Osinachi was the artist to lure me into...

This article is part of my first written assignment for the Executive Masters in Art Market Studies 2023-25 in the University of Zurich and eventually will be incorporated in my final thesis. Writing about digital artists was born out of arguments with lecturers (not going to name any names) and the need to shed light on artists whose work escapes the narrow confines of the majority of NFT criticism. The third artist to release is Ana Maria Caballero (see first, second). Ana was kind enough t...

This article is part of my first written assignment for the Executive Masters in Art Market Studies 202 in the University of Zurich and eventually will be incorporated in my final thesis. Writing about digital artists was born out of arguments with lecturers (not going to name any names) and the need to shed light on artists whose work escapes the narrow confines of the majority of NFT criticism. The fourth and last (but not least) artist to release is Mitchell F. Chan (see first, second, thi...